Church of the Savior of the Independent Image in the village of Klyazma Moscow region
Part 1.
Lermontovskaya Street, 20.

The temple was built in 1913-1916 in honor of the 300th anniversary of the house of the Romanov architect V. I. Vashkova, a drawing of S. I. Vashkov, a student Vasnetsova. It is built on the merchant of the 2nd guild of Ivan Alexandrovich Alexandrenko.

The church is completed by the Glavasha with Kokoshniki and decorated with excellent Maitolike panels.
The temple is an interesting model of the unquestous style with a shade of modern.
On the year of foundation, you can read the inscription by ancient tissue on the tape of the drum.
He was going to sanctify as the Church of Nicholas Wonderworker and Alexy, Metropolitan of Moscow. After the revolution 1917. The temple was ruined, he suffered and outwardly.
In 1989, he was consecrated as a rescue of a non-manual image and restored.
Sergey Ivanovich Vashkov (July 16, 1879, Sergiev Posad - (November 20, 1914, Moscow) - Russian artist, architect, designer and teacher. One of the Masters of Moscow Modern
Architectural work S.I. Vashkov is small, but according to M.V. Nastokina is important for the history of Moscow modern.
He worked at the Moscow Firm of the Church Utensility "Trade and Industrial Association P. I. Toldyanishnikov with sons", where he was engaged in the design of religious utensils. In 1901, he became the artistic director of the Tin Factory.
In 1911, the fundamental publication of "religious art" was published, it was collected photographs of items made in its drawings. According to art historian M. V. Nastokhina to the main works: the tomb of the St. Paul of Obnorsky in Vologda, the tombs of Hermogene and Makaria in the Moscow Kremlin, the tombstones of Carnew and Zybin in Moscow and others.

Mosaic porch
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2nd edition. M. ,. - S.: 187 liters. Il. Illustrations performed in phototype technique. The title page and the dedication sheet are made in the technique of zinc. In the White All-Tune (Chankor) Publishing Binding. On the front lid with polychrome embossed: the name of the publication. Composite floor mousets with allegorical pattern embossed gold. Locked edge. 32.2x25 cm.

Vashkov, Sergey Ivanovich (1879 - 1914) - graduate of the imperial Stroganovsky school of technical drawing, student V.M. Vasnetsova, Russian artist and architect, a well-known master of Russian church decorative - applied arts, publisher of the magazine "Lamp", a zealous continuer of the Russian tradition in different directions of creative activity. In 1900, Euptraction of Georgievna Tsoyanishnikova (1851-1925) invites you to creative work in its All-Russian-well-known family-owned enterprise of the young twenty-year artist S.I. Vashkov and a year later appoints the head of the art department of the partnership P.I. Tips and sons. This catalog is a peculiar report of the masters of the partnership on the created creative work in the ten-year period of 1901-1910.

Customers T-Va P.I. Tinyanichnikov and sons were members and relatives of the imperial family, drawn by the individuals, representatives of merchants and clergy. In the album you can see: Lampades. Easter eggs. Ark for holy gifts. Panagia. Icon "Christ - Emmanuel". Alskin cross. Silver fold. Triptych. Miter. Recrocessful cross and chorugwe. Dish to collect money in the temple. Antidore dish. Pochor for the deacon. Felon. Icon of Kazan B.M. Ripid. Handicolor semots. Wedding crown. Salary on the icon of Christ - Almighty. Ikon Iverskaya B. M. Maitolik candlestick. Patr with device for sv. Communion. Sakkos. Fleems on the fellon and the stir. Remote candlestick. Panichid table. Natural crosses. Prayer Gospel. Water boss. Analy for icons. Handicient Gospel. Patr from white topaz. Panagia. Salary on the icon of the Mother of God. Wooden folding. Cyots. Icons of St. Nina, the enlighteousness of Georgia. Arch icon. Mikhail. Air shdied with silks and pearls. Silver ark. Remove cross. Trikiriy. Dietary Candlesticks. Finifty cross. Bishops. Church furniture. Candle box. Handiculous shroud. Monstrance. Mirnitsa. Stands for lampad. Three-day on the altar. Analya for the Gospel. Purpose cross and icon. Regimental fold. Baptismal tsenniki. Cadyl. Basmenny Kyot. Brackets for lampada. Cross to the altar. Hanging lantern in the seal of the temple. Icon - Queen Heavenly. Icon of St. Nicholas Museum Parsley cross. Steps. Panchidnica. Cross on Calvary. Panadilo. The cozer for a stone on which I prayed. Seraphim Sar. Throne. Scanning salary on the icon of Kazan B.M. Easter three-day. Church chandelier. Vessel with an instrument for sv. Communion. Salaries on icons. PRACTICAL SECRETS. Basmenny iconostasis. Tomb for the shroud. Basmenny throne. Cancer for the coffin of St. Macaria. Sour Archimandrich and Igumensky.

Short reference: Vashkov, Sergey Ivanovich (4 (16) of July 1879, Sergiev Posad - 7 (20) November 1914, Moscow) - Russian artist, architect, designer and teacher. One of the Masters of Moscow Modern. 4 (16) of July 1879 was born in Sergiev Posad in the family of Journalist Ivan Andreevich Vashkov (1846-1893). In 1893, he began to study at the Imperial Stroganovsky School of Technical Drawing, which graduated in 1901 with the title of the scientist. In 1900 he passed a practice in the jewelry workshop K. Faberge. Even before receiving a diploma, he was invited to work by the Moscow firm of the church utensils "Chamber of Commerce and Industry P.I. Tinyanishnikova with sons ", where he was engaged in updating the design by a religious utensil to the company. In 1901, he became the artistic director of the Ting Factory. In 1911, the fundamental edition of "religious art" was reached, in which photographs of items were collected in the drawings of S.I. Vashkov. To the most significant works of the artist in this genre, according to Art historian M.V. Nachokina, belong: the tomb of the St. Paul of Obnorsky in Vologda, the tombs of Hermogene and Makaria in the Moscow Kremlin, the tombstones of carnew and zybin in Moscow and a number of others. Washing created his own original art language, which combined the ancient Russian and the ancient Christian motifs. In his works, the artist used Skan, Filigree, Chacking, Tree Thread, Finife and other traditional techniques, but combined them with original ways. In 1909, Archbishop Anthony (Khrapovitsky) excitedly noticed:

"The Lord cleared of us, lovers of church adultery: the ancient inspired creativity of the sacred objects was restored by the new artist S.I. Vashkov, whom the name will take one of the honorable places in the history of our church adoption, can, along with Andrey Rublev and Simon Ushakov. "

The architectural works of Vashkov are small, however, it is important for the history of Moscow modern. Shortly before death, in 1913, the new Art Lamp art magazine was founded with like-minded people and became its editor-in-chief. From March 1914 served as a regular teacher of the Stroganovsky school. He lived in Moscow on Arbat, 12 and on Chistoprudny Boulevard, 14. He was buried at the Vagankov cemetery.

Vashkov, Sergey Ivanovich (Sergiev Posad 4 (16) .07.1879 - Moscow, 7 (20) .11.1914)

In 1893 he received and in 1901 he graduated from the Imperial Stroganovsky School of Technical Drawing with the title of the scientist. At the same time, his work was attention to the well-known Moscow firm of the church utensils - the commercial and industrial partnership P.I. Tinyanichnikova with sons. I have not yet received a diploma, in 1901, Vashkov was invited by the artistic director of the Ting Factory and fully dedicated himself to updating the traditional, but long ago, which had long fallen from the context of modern artistic development of the industry - the creation of a unique, authentic artistic utensils. A peculiar report of Vashkov about the work at the Tin Factory was the fundamental edition of Religious Art (Moscow, 1911), which is an album of photographs of church and civil utensils, made according to its drawings. The most significant creatures of the artist in this genre include: the tomb of the St. Paul of Obnorsky in Vologda, the tombs of Hermogene and Makaria in the Moscow Kremlin, the tombstones of carnew and zybin in Moscow; Finishing and interior decoration of churches in the estate of the "New Charterry" in the Volyn province and in the Fedorovsky town of the Tsarist village near St. Petersburg, the temple of the Krasnostok Monastery of the Grodno province. In these works, Vashkov, combining old-Russian motifs with ancient Christian, synthesized its original plastic language, in which medieval forms received a new reading, reflecting the subject-spatial vision of the man of the beginning of the XX century. Actually, it was possible that it was possible to fully implement the idea of \u200b\u200bcreating a whole aesthetically meaningful medium, which was still developed by the B. Morris. The syntheticism of his artistic thinking was based on a lively feeling of the hand-made Old Russian art in his manifestations, which he learned on trips across Russia, and on a thin sense of rhythm and style of modernity. After ten years, formulating their creative credo, I wrote this:

"I didn't consider it necessary to copy the ancient samples of art in the continuation of ten years of work, to repeat what has long been expressed and experienced ... Forms of plastic art, as well as literary forms, should develop and change, causing all new species, but not losing Its typical. A language that does not change under the influence of new forms becomes dead. The same thing happens with the art. "

Thanks to the mobility activities, Vashkov, after almost two-century dominance of trivial handicrafts in the temples of Russia, began to re-act truly artistic works of their time, arguing the revival of church art - one of the most ancient national species of decorative and applied art. The artist widely used almost all traditional equipment for Russia - Skan, Filigree, Chacking, Tree Thread, Metal Spectacle, Casting, Finife, Silk Sewing, Inserts from Gemstones, etc. However, the combination of them, as a rule, was unusual - wooden carving and enamel, scan and carving on pearl, beaded sewing and decorative silver casting, painting and precious fabrics. As a diverse material of Vashkov, such exots like wood coconut was used. A huge role in the creative formation of Vashkov played V.M. Vasnetsov. The young artist considered him his teacher, although the masters did not appear formally. This statement can be understood - it is Vasnetsov in the 1870-180s that most clearly and artistically denoted the path of the development of national Russian art, based on immersion in the element of folk creativity and folklore, which was very fruitful for the development of the unaware style. In a certain sense, you can draw a parallel between the works of M.V. Nesterova, who developed the Vasnets principles in painting, and the works of Vashkov in applied art, also in many respects inherited an outstanding painter. Often to both of both the shade of a reverent, aesthetically sensual attitude towards the Old Russian art, the desire to read it in the spirit of modern religious-nostalgic symbolism - the characteristic sign of the era. These qualities are read and in the architectural works of Vashkov. He was engaged in architectural design on occasion, so his work in this area is small, but are extremely important for their time. A widely known proficient house in Moscow at the church of St. Trinity "What's on Mud", designed and built in 1908-1909. - The first experience of the artist in the architecture, where he, in fact, acted as a decorator of the previously designed facility. The main decorative theme of the building was the "carpet" of decorative reliefs, stylizing bas-reliefs of the Dmitrovsky Cathedral in Vladimir. Vashkov "inhabited" the front plane is clumsy a fabulous beast, paradise birds and unprecedented plants. Here, as it were, a symbol characteristic of the era, a refund to mythological characters, seen in a new way. Even more purposefully and originally handling Vashkov to the world of Russian folklore was realized in the wooden Dacha I.A. Alexandrenko, erected in 1908 in the village of Klyazma. She paid attention to the individuality of the figurative characteristic, the integrity of the architectural and stylistic solution of the entire site (in the same character, the artist was designed by economic buildings, garden benches, lights, a fence with a carved gate and wickets), brightly multiweight wooden scene threads, stained glass windows, tile stoves and fireplaces and, finally, by the feeling of genuine guides, which breathe all the creation of Vashkov. Among the images placed on the facades of the Klajazmin Dacha, you can find many ancient symbols that worried her author - Beregin, the bird of an alkonost, a double-headed eagle, finally a lamb, personifying Christ, Peacock - the bird of Eden and others. The poetry of the artistic language is the flesh , not tired admire the beauty of life, harmony and the perfection of nature. He wrote: "In the moments of admiration, the art adds fantastic fairy tales, in which the sky, and the sun, the moon and the stars come to life, all the forces of nature are spiritualized, and the animal world speaks the human language and shares his admiration." In this sensitive, the nature of the artist was exposed to the votes of the commodity world, the nature of the peculiar world of the symbolism, imbued with the images of the change of seasons, individual natural states, their relationship with human passions. In 1910, Vashkov designed a chip-acting school for the village of Klyazma, and in 1914 made sketches of the monument temple in honor of the 300th anniversary of the Romanov's house. This is the top of his creativity, the visible embodiment of his artistic worldview. The elegant amount of one-eyed temple was generously decorated with ploty majolica, subsequently made by the Abramtsev plant. Sustainable death did not allow the artist to complete his work; The church was erected after his death in 1914-1916. Arch. IN AND. Motyhal. The shape of the temple has figuratively to the monuments of Moscow XV-XVI centuries. And, in particular, "Godunovsky" architecture. However, their interpretation reflects the effect of modern aesthetics, focusing on the visual perfection of architectural details, directed towards simplicity and laconism of the architectural language. The project of the temple is interesting to compare with the projects of the Old Believers Temples I.E. Bondarenko - Such a comparison is irrefutable indicative of the influence of this new modern reservoir of religious architecture on the work of Vashkov. Shortly before death, in 1913. The artist with a group of like-minded people created a new art magazine "Luminaire", designed to popularize domestic art and scientific research in the field of its history. Being the chief editor of the publication, Vashkov managed to rally around himself an authoritative circle of artists and scientists. In his editorial board consisted of D.V. Ainalov, N.P. Kondakov, N.V. Pokrovsky, A.V. Prakhov, F.I. Schmidt, N.I. Troitsky, V.M. Vasnetsov, M.V. Nesterov, A.V. Shchusov and others. Impellent literary activity, the artist not only edited, but he himself wrote an article about Russian art for the magazine, which complements his creative portrait.

Works Master

1906 (?) - 1907.	Interior decoration and utensils for the church in the estate of N.I. Orzhevsk "New Charterry". Volyn lips.
	Dacha I.A. Alexandrenko. pos. Klyazma. Moscow region (burned in the late 1990s.)
1908 - 1909	Profitable house under the church of St. Trinity, "What's on Mud". With the participation of the arch. L. Kravetsky and Inzh.-building. P. Mikini. M., Chistoprudny Bul., 14. (Fig. On page 10, 64 and 205)
1900 - 1910th.	The tomb is prep. Pavel Obnodsky, Vologda. Tomb of St. Patriarch Hermogene. M., Kremlin, Chudov Monastery, (now - Assumption Cathedral) Tomb of St. Macaria. G. Ovruch. Carnob's tombstones. M. Tombstone Zybin. M. Interior decoration and objects of the utensils of the Fedorovsky Cathedral of the Fedorovsky Town. Tsarist village. (Pushkin) (not preserved.) Interior decoration, iconostasis and utensils of the Temple of the Palace Hospital under the Tsarskoil Community of the Red Cross. Tsarskoye Selo (G. Pushkin). (Builder - Arch. S.A. Danini). Interior decoration of the Temple of the Krasnostoksky Monastery.
1910 - 1911	Church-parish school named after Ivan and Pelagei Apeksandrenko. (Builder - Arch. E.I. Zelensky), pos. Klyazma Moscow region (Fig. On p.65)
1911-1913	The draft church-parish school for the city of Kostroma, (non-luck).
1913	Temple-monument in honor of the 300th anniversary of the House of Romanov SWV. Nikolai Mirlijsky and Metropolitan Alexy. With the participation of the arch. IN AND. Motyleva. (Painting on sketches S.I. Vashkov was launched by the sculptor N.P. Gavrilov). pos. Klyazma. Moscow region (Fig. On page 207)

The contribution of the entrepreneurial surname of tinynichene in the development of Russian religious art at the end of the XIX - the beginning of the twentieth centuries

Starting a conversation about the jewelry Russian art of the XIX-early twentieth century, we immediately list the largest and most significant Russian (St. Petersburg and Moscow) jewelry firms - Faberge, Sazikov, Khlebnikov, Postnikov, believing that it is necessary to attribute it to manufacturers of church bells. However, in the jewelry of Tinichnikov, left a bright footprint, creating great works in the "Russian style" (or as they are also called "unusual style" or disapprovingly - "pseudorusskim"). The rich Yaroslavl merchant family of tin-headed to the beginning of the twentieth century owned 35 stone beads, bell-casting and pig-leather factories in Yaroslavl, lead-leather, sprayed and lead plants in the village of Volokuchi Yaroslavl province, as well as trade offices in the capital (St. Petersburg), Moscow, Tula, Yaroslavl, Nizhny Novgorod and Vologda, Church Utensil factory in Moscow. Regarding the jewelry religious art, it is necessary to talk about the Moscow Tolshnishnikovsky factory, at which 206 workers worked in 1917. In its importance, this factory in Moscow was inferior only by the leading factory of the jewelry industry belonging to the company "I.P. Khlebnikov Sons and Co.. With the St. Petersburg School of Karl Faberge, the Tshanichnikov could not. Faberge was one of the world leaders in jewelry art. A wide range of church utensils from silver, gold and bronze, priesthood, furniture and church sculptures made of wood and marble was produced at the Tollyanichnikovsky Factory. In addition to products of religious purposes in the factory, secular products are also manufactured (for example, lamps and dishes). Tinyanichnikov was taken for responsible and time-consuming orders for the manufacture of cancer for the relics and church heads. The emergence of the unique "Russian style" of the church utensils of the firm of tinynishnikov is associated with the name of the beloved student V. M. Vasnetsov - Talented artist Sergey Ivanovich Vashkov (1879 - 1904), which for more than 15 years he headed the art department of the factory. The artist was confident that the appointment of artwork factory was to bring up the aesthetic and moral sense of man. The ideas laid down in an art product should be understood by a person, its preventing. Ideas available to understanding, Vashkov found in the art of early Christians and in the art of ancient Russia. Wheel and his co-workers were created in a true national spirit, so art historians considered their works of stylistically close arts of Russian folk decorative arts. The church utensils created by them was alien to social elitism, as it was focused on the Bogomoles from all social layers, united by common participation in the sacraments. Vashkov was an opponent of a meaningless decoration of church utensils and considered it necessary to use only a symbolism, carrying Christian semantic load: a pigeon with an olive branch ("Noeva Golubitsa"), a fish (secret symbol of the first Christians), a lamb, Phoenix bird (the secret symbol of Christ at the forefish) and etc. From the folk art of Vashkov borrowed images of Lviv and birds Sirin in ornaments, but still he sought the greatest simplicity of lines. Stones in Vashkov products found a place only if necessary for a clear emphasis of the composition. Possessing an impeccable artistic taste, a clock and a solid religious worldview, the artist avoided lightness and alappost, preferred gold oxidized silver and riselled bronze. He preferred gold in the form of gilding. At the international exhibition in Turin in 1911, S. I. Vashkov received a gold medal, and the company itself received four (!) Grand Prix and a special award "For cooperation". Viktor Ivanovich Tshanichnikov (1874 - 1932) received an honorary diploma at this exhibition. On the eve of the celebration of the 300th anniversary of the Imperial House of the Romanovs, the firm of the firm of the Golovnikovnikov was carried out by the order of state importance: Cathedral ensemble and church utensils for the cathedral under construction in St. Petersburg in the Name of the Feodor Icon of the Mother of God in memory of the 300th anniversary of the reign of the Romanov House in Mirgorod Street in Nikolaevsky (now Moscow) station. The construction initiative of this temple proceeded from the "Union of the Russian People", and built the temple on nationwide donations. The winner of the Competition of the projects of the church was the civil engineer S.S. Krcchinsky, who submitted a project in the style of the Rostov temples of the XVII century. The temple was already built on technology of the new - twentieth century - from reinforced concrete. He was built in about two years (1911-1913). The facade of the temple, lined with a white anti-stone stone with an ornament of work V.I. Traubenberg, decorating the pedigree tree of Romanovs and the farodore icon, made from Maitolia in the workshop PK Vaulina in drawing artist S.P. Chekhonin. Another icon posted on the entrance was made in drawing V.M. Vasnetsova in mosaic technique. The iconostasis of the temple was cut out of the Linden in the Moscow workshop of Palekhsky icon painter I.M. Dico region, there were kyots there and wrote icons - copies of the Old Russian. In the same workshop made Calvary and royal place. The painting of the temple in the style of frescoes Dionysius in a feraphant monastery was commissioned to create V.S. Shcherbakov. The sovereign retinue was ordered by the firm of the tin-headed silver daochranitor in the form of a reduced copy of the Assumption Cathedral in the Kremlin. She was presented to the retinue of His Majesty by the Boodore Cathedral. The tinyanishnikovskaya firm produced a liturgical vessels for the cathedral, coping the vessels of the XVII century from the Kostroma Ipatiev Monastery. Bells were also cast with the names of the members of the royal family. According to the project, Vashkov was created a genuine masterpiece - openwork bronze panicadal in the form of a monoma hat with a diameter of three soot. A valid event in the life of the Russian jewelry art was the manufacture of Tinovnikhnikov at the Moscow factory on the project of Vashkov's loyal diplomas of the Russian nobility on the occasion of the 300th anniversary of the house of Romanovs, the casket and the dish to bring her sovereign. The casket was made of cast silver, decorated with enamels and precious stones. The larz tent lid was crowned with a red winged griffin with a black sword and a shield - the coat of arms of the boyar of Romanov. The dish was an excellent carved product from the mammoth dice, marked in silver and the carrier image of the state coat of arms of the Russian Empire. In 1913, the Moscow Factory of Tinyanichnikov received a high and honorary title of supplier of the highest yard. Before the beginning of World War I, the imperial surname managed to place a large order in the factory - coat of arms and cancer for the reservoirs of St. Patriarch Hermogene for the Assumption Cathedral of the Moscow Kremlin. This work was the last for a wonderful Russian artist and Yevelira Vashkov. He died in 1914. Many art historians tend to believe that this last work Sergei Vashkov is his best, the most perfect work on the integrity and harness of the artistic solution. In 1918, the victims of the Bolsheviks were closed by Yaroslavl bell joint and the Moscow Factory of the Church Utensil. The lead-leather plant was nationalized in Yaroslavl, who lived as a sufficiently successful enterprise to this day. The most tragic for Russia is that the majority of the best works of the firm of the tin "died. The magnificent decoration of the Feodorovsky Cathedral in St. Petersburg did not reach us. Now it is re-creation. Material about the masterpieces of jewelry art created by the masters of the firm of tinynishnikov, was used when conducting lessons in world artistic culture and Russian church art (elective course) in the St. Petersburg Orthodox Gymnasium of St. Burd Great Prince Alexander Nevsky in 2004-2012. In order to create a visual series, a rich illustrative material was used in these lessons, as the tinynic studies themselves were the owners of the monthly lamp magazine dedicated to the religious art of Russia and its history. The "lamp" was published in 1913-1917, published articles on church archeology, theological issues, work on the outstanding works of architecture and art following the national traditions. The magazine was decorated perfectly and contained from 10 to 15 illustrates for 30-60 pages of text. In 1911, Tinichnikov released the album-collection "Russian religious art", where the products of the factory were presented for 1901 - 1911. The album contained 188 sheets of tone photos with images of more than 300 pieces of church utensils, 41 sample handmade brocade and 38 secrecy items.

Mikhail Novinsky

Architect Designer, Founder and Studio Head

Mikhail Novinsky was born in Moscow, in 2004 he graduated from MHHP them. Stroganova in the specialty "Design of interiors". Since 2003, it has been engaged in the design of private and public interiors, furniture design and interior design items, architectural design. In its portfolio, there are dozens of realized facilities of various areas, difficulties and destination, and located both in Russia and in the CIS countries, Europe and Asia. In 2010, he founded his own design workshop - MNDesign, specializing in the design of interiors in modern styles - minimalism, contemporary, loft and others. Member of the Guild of the Artistic Design of the Moscow Union of Artists. Laureate and Nominee of Interia Awards, Best Interior (United States Architects), Pinwin, Russian Project, Best Office Awards, other Russian and international competitions. Works published in Architectural Digest, Interior + Design, Salon-Interior, Objekt, Design Diffusion News, Interiors The Best, Archilovers, Archda, Houzz, other printed and Internet publications, and also included Big Design for Small Workspaces Book International Publishing Publishing Group. Permanent participant of television programs The apartment question and the country's response to NTV

Anastasia Konov

Lead Designer, Partner

Born in Moscow. Graduate of the Faculty of Interior and Equipment MGHP them. S.G. Stroganova. Since 2003, it has been engaged in the design of private and public interiors, interior design items, engaged in teaching activities. He worked in various design studios, a project institute, large architectural bureaus. Member of the Guild of the Artistic Design of the Moscow Union of Artists. Laureate Interia Awards 2015, Best Interior 2017 (Russian Architects Union), Pinwin 2015, Nominee Russian Project 2018, Best Office Awards 2015. Works published in Architectural Digest, Interior + Design, Salon-Interior, Objekt, Interiors The Best, Archilovers, Archite and other printed and Internet editions, as well as included in the Big Design for Small Workspaces Book International Publishing House images Publishing Group. Partner in Studio

Mark Grishin

Architect Designer, Head of Architectural and Drawing Department

Born in Moscow. He graduated from the Faculty of Interior and Equipment MGHP them. Stroganova. More than 10 years is engaged in the design of architectural structures, private and public interiors, furniture items, architectural visualization. He worked in several design studios and architectural bureaus, as well as a private designer in Moscow and the Krasnodar Territory. Specialist in BIM-processing. Works were published in Architectural Digest, interior + design, Interiors The Best, architecture, other printed and Internet publications. In the team - since 2012

Asya Balyuva

Architect Designer, Visualizer

Born in Moscow. Graduated from the Moscow Architectural Institute (March). He worked in major project bureaus and design studios, engaged in interior visualization. It has a wide design experience - from small apartments, to urban planning concepts. In the studio since 2015

Olga Pogorelova

Leading designer

Born in the Belgorod region. In 2010, he graduated from the architectural and construction department of BSTU them V.G. Shukhov. After graduating from the Institute, engaged in architectural design, the reconstruction of buildings, worked in several architectural bureaus, as well as a private architect and designer. Works were published in Houzz, Inmyroom, Archite and other publications. Participated in television projects on the channel "Your House". Studio cooperates since 2013

In Moscow, a huge variety of magnificent luxury buildings, creating a unique ensemble of the city - the open-air museum. Architectural styles of different eras can be observed on the streets of the capital. These are classic portico with colonnade, smooth erkers of modern balconies, "non-Russian" windows of windows and gothic turrets in the corners of houses. But the pedestrian's attention is invariably attracting two Moscow houses with incredible beauty by carved patterns by the facade.

One of them Muscovites nicknamed "home with beasts." Everyone is surprised and guess what is this house? Now in the lower floor of the house there is aquarium, and people are all the more associated this building with something "animal." However, this house was built in 1908-09. as profitable for people of the Trinity Church on Mudwhich is located on the street Pokrovka and is currently restored. The project of the house was developed by architect Lviv Ludwigich (Leon Woacek), with the participation of the construction engineer Peter Karlovich Mikini. Both of them took place from the Poles, but they studied and worked in Russia. Money on building houses were highlighted by a merchant family of tinwhose members were trustees and spinners of this church and lived on cover. The family owned a famous to the Revolution of the Factory of Church Products, on which products made of gold, silver, bronze, wood, brocade vestments were manufactured.

At the beginning of the 20th century, an appeal to the ancient Russian motifs of antiquity was included in Moscow architectural practice, and architect Kraveksky conceived to decorate the facade of the house fabulous bas-reliefs. For sketches of future jewelry took famous architect, designer and artist Sergey Ivanovich Vashkov. Samples for fantastic animals, birds and trees served as an artist bas-relief Dmitrievsky Cathedral in Vladimirthat S.I. Vashov considered the top of Vladimir architecture. But the artist did not just copy these ancient drawings, but created on their basis unique unique mythical images of unthinkable lions, griffins, unicorns and other fabulous beings. Although more ancient images of stock animals can be seen on the St. George Cathedral in Yuriev-Polsky.

St. George Cathedral Yuryev-Polish

The house was originally built in the three floors - the parishioners of the church lived on the first floor, and the other two were intended for rent and profit. When in Soviet years, the house has become a communal service, then in 1945 there are two more floors under housing. Now on the lower floors of the house there is a marine aquarium-oceanarium, the Russian Bibliophile Antique Book Store, and on other floors "Apart Hostel" and residential apartments. With a detailed history of the Church of the Trinity on the mud, an amazing icon "Three joys" and an unusual "house with beasts" you can meet .

Another unusual house, nicknamed Muscovites "Lace" or "Openwork" , Located on Leningrad Prospect (d. 27). It was built in 1940-1941 on the project of architects A. Buur and B. Blokhin. Shortly before the war, these architects erected three series of large-scale houses from concrete blocks. This house was the third and best in this experiment, since at that time concrete was needed by the country on the construction of factories and strengthening structures, and from concrete blocks, residential buildings were not massively built. The house was erected before the war itself and in fact was the exemplary start of Soviet large-scale constructionSince it used blocks of maximum size, height into a whole floor, which remain those and in our time.

The method of collecting construction from concrete blocks of factory manufacturer allowed us to speed up, reduce and mechanize the construction process of a residential building. But along with the beginning, the so-called mass "block construction", this house was lucky - it was decorated with a facade of a beautiful openwork pattern with a floral ornament according to the sketches of the artist V. Favorsky. Openwork grids made of concrete are installed on kitchen windows overlooking Leningrad Prospect, because this side is shadow. It is in this house for the first time in the USSR, industrial concrete blocks were applied as structural and at the same time as decorative elements of the building. Such a new block layout system in 1955 was approved by the USSR State Building for use in mass construction, but as a result, such houses were not in the series in the series. It's a pity…

In addition to innovation in the construction of the house, a new system of internal planning of apartments was introduced. The house consisted exclusively from small apartments designed to accommodate one family. Inside the house planned to arrange a cafe and kindergarten. In the planning of the house, the idea of \u200b\u200bpublic accommodation was laid: there was only one elevator, two bright stairs, all the premises of the staff went into the lobby of the only entrance. Now it is also a residential building with shops and a bank on the lower floor. The total area of \u200b\u200ba typical one-bedroom apartment with isolated rooms is 55 meters, a kitchen area is 14 meters, and even with such an openwork on the window!

"Music and Forest House" on Tverskaya Street. An outstanding architect Andrei Konstantinovich Burov lived on Tverskaya Street in House 25, built on his own project in 1936. This house was awarded the Mossovet Award as one of the best homes in Moscow. It is very unusually standing out among the entire monumental development of the Soviet period on this street and reminds Italian Palazzo with their external elements with arches and painting. In addition, he was built unusual, two parts and for different customers. The left part of the house from Tver was built first in 1936 by order of drug addict. Therefore, it is decorated with numerous paintings on the forest topic in Sgrafito technique according to the sketches of Vladimir Andreevich Favorsky. Recently, right before this house from the angle of the Blagoveshchensky, the alley was demolished with shops with shops, as a result of which a cozy green svmerik was formed. And most importantly, the facade of the house has opened on this side, where you can read the unique inscription "House ITR Narcomple" . By the way, it was on the site of this square and this part of the house until 1929, in the name of the Annunciation of the Blessed Virgin Mary, which gave the name of the alley.

Winner of international and all-Russian competitions.
Winner Best work 2016. International Association of Vatikam designers with title assignment Master of year In nominations - landscape, furniture, 3D modeling.
Laureate Best works 2014-2015-2016. Vatikam in nominations - architecture, interior, furniture and landscape.
Finalist of international contests PINWIN 2016-2017-2019.
Diploma International Vatikam Association.
Permanent participant in Russian and international architectural competitions.

Member of the International Vatikam Association

From 2017 Permanent member of the expert jury of international competitions Vatikam.

Private designer is the creation of author's design projects.which reflect exclusive solutions and individual features. This is the use of a variety of techniques for solving certain tasks. We carry out a lot of graphic, visual and other materials necessary to demonstrate all features. We make them with high detail and informativeness to disclose the image and reflection of all parts and elements.

Since 2010, I am engaged in private practice as a private interior designer, exterior, landscape. We develop realistic 3D visualization of premises for various purposes and territories. I combine the creative team of designers, architects, 3D visualizers, engineers and other specialized professionals from different cities. For more information about the services provided, see Services.

• Developed conceptual solutions to the reconstruction of historical objects of Moscow. Landscape design of plots and squares, landscaping of urban areas in Moscow and Moscow region. Created the concepts of stems in the Crimea. The appearance of exterior and interiors of private, public and commercial facilities. Winner tenders for participation in international exhibitions. Developed the concepts of brands recognition for commercial companies. More than 50 implemented projects, including: residential, public, commercial spaces, exteriors; Landscape improvement of squares, urban and country territories in Moscow and the Moscow region; Exhibition stands, Showerma and shopping pavilions in Russia and abroad.

We do not use template schemes - only unique solutions!

Thanks to the great experience in organizing and monitoring construction, finishing works, we create exclusive solutions. Which can be accurately implemented. This allows us to create unique images and achieve ergonomics and functionality, using different architectural techniques. We use modern materials and technologies. When choosing building materials, furniture and decor elements, we are guided by global trends towards style and comfort. We are official partners and dealers of companies representing famous European brands. As well as companies with a full cycle of construction and finishing materials, furniture, decor, lighting, etc. We interact with you at all stages of construction and repair. We carry out the author's supervision and repair and finishing works. Copyright supervision allows you to make the necessary decisions in a timely manner. What minimizes errors and does not slow down the execution of construction or repair.

Our goal is to reflect your individuality ...

GALLERY

We work Moscow and the Moscow region.
Remotely throughout the Russian Federation (Conditions are negotiated individually).

Contact Information:

Telephone for customers:

8 925 262-18-68

For cooperation, partnerships and proposals, tel:

8 916 956-62-33

e-mail: [Email Protected]

Diplomas

Certificates

THANKSGIVING LETTERS

Private interior designer, landscape in Moscow - Benefits

Private designer - This is a totality of knowledge and experience in one face! This is the use of copyright ideas and individual work! The advantages of such cooperation are obvious, primarily due to extensive special knowledge and established creative style. I started my way with many years of practical experience, which was in the organization and control of the repair and finishing of residential and non-residential premises of various purposes. Thanks to this, all decisions are criticized for their implementation and safety. And also adapt to a certain budget using all sorts of materials, lighting, furniture, decor and equipment. For customers, we provide advantageous offers from proven companies, official dealers and partners of which are. This is 10-15% more profitable for market prices! What is another plus from cooperation with us. Private interior designer, landscape is your personal designer with whom you are essentially 24 hours a day!

Professional quality

Always in touch! Quickly respond to all questions in the process of work. We attend profile events and international exhibitions to always be aware of fashionable and popular currents. Monitoring new construction materials that appear on the market, also through our partners. 10 years of practical experience! More than 100 projects performed including: residential, public and commercial spaces. Improvement and landscape design of country, commercial and municipal territories. Observe the agreed deadlines! In the absence of significant changes and adjustments from the Customer, laid within the specified period. I can create large-scale projects in a short period of time, the conditions of which are negotiated individually. We are in instagramme, social networks and YouTube, references to which can be found above.

Private interior designer: who he is and how to choose it

Private interior designer is a professional who is full of his own creative ideas. It has a large portfolio. This is a specialist who is capable of creative, non-standard thinking and having a large versatile experience. Such a professional always has its own copyright ideas and techniques. To decide which specialist you are suitable for more than others, you should consider the qualities inherent in a professional, and not an amateur. These qualities include the creativity of ideas and creative thinking; The ability to solve various problems of the task and embody the most bold ideas of the customer. Must have aesthetic taste, color and spatial perception of things and space as a whole. Enjoy the ability to navigate in the colors palette and have an understanding of the effect of color to the world around. And the main thing is to have a portfolio, which reflected all the inherent qualities and the exclusive techniques used.

Private designer Must be able to create from simple things with its techniques, something beautiful and original. Pay attention to small details and anticipate the result from using different techniques. You must be able to think over before, to work out each separate item. Understand what is the balance and sense of symmetry in architecture. Professional private interior designer has sufficient flexible and figurative thinking to apply different ideas. There must be the ability of rapid rebuilding under the influence of new conditions and requirements. He knows how to mentally represent the overall picture at the oral description of the customer.

Portfolio

The portfolio contains a variety of projects that we have completed throughout our work. These are interiors of apartments, living rooms, bedrooms, kitchens. Interiors of country houses, cottages and townhouses. Commercial space fitness clubs, gyms, halls for group classes and martial arts in Moscow and the Moscow region. As well as showrooms, boutiques, exhibition stands and trading pavilions. The "Exteriors" section presents projects for the improvement of urban and commercial territories, different squares and alleys. In the same section, the architecture of facades of buildings and structures. Also presented exclusive small architectural forms (MAF) for the landscape and improvement. In the "Furniture" section you can get acquainted with author's furniture and decor objects. In most interiors, we use unique items and elements. This gives greater exclusive space and makes functionality directly for the client and its needs.

Most of the presented projects in the portfolio participated in international architectural competitions and received a high assessment. Were winners, laureates and finalists. Each of them is a specific solution to our tasks for a specific period of time. Each of us is looking for a better solution for your interior. It is necessary to make a lot of work, knowledge and experience to create a beautiful, cozy and unique image. PAEVSKIYDESIGN offers a wide range of services for creating design projects, selection and configuration of the object. Additionally, we carry out the author's supervision at all stages of order execution. If necessary, we coordinate redevelopment and carry out engineering design. We have proven suppliers and partners, which guarantees high quality, short time and real cost, without overpayments and alterations.

The cost of services of a private interior designer, landscape

Private interior designer, landscape is exclusive creativity. Which solves specific tasks and takes into account all customer requirements. The cost of services is very difficult to adjust under fixed values \u200b\u200band output a single price. The final price will depend on many factors and components. This is the area of \u200b\u200bpremises or territory, the complexity of the task (architectural style, the presence of certain elements). The amount of space decoration, the degree of functionality, the set of necessary services and the deadlines for execution. Work in the classic or modern style and the use of various modern systems (smart home, etc.) will require absolutely different approach, elaboration and elements used. We provide an individual proposal for calculating the cost of services for each client. The final cost is calculated, as a rule, after drawing up the technical task. You can order the necessary service by calling us or writing to mail, WatsApp.

The composition of the project

For interior and landscape includes different components:

• drawing up a technical assignment in which the tasks, requirements and wishes of the customer are reflected;
• plan of placement of furniture, equipment, decor items, for the landscape of the General plan of the territory;
• development of realistic 3D interior visualizations, territory (including perspectives and types from different sides);
• Virtual Walk Offer Development of Panoramic 3D Tour 360 VR (with species transition points);
• drawing up working documentation (a set of necessary schemes and drawings);
• statement of used materials, furniture, equipment, maf;
• offer for construction, finishing and repair;
• complete set of object.

After the development of 3D visualizations and their approval, we offer you a 360 VR virtual walk. We create an interactive, panoramic 3D tour with sequential transitions (viewpoints). In the virtual space you can fully immerse yourself in the future atmosphere. In detail to consider the materials, techniques and design solutions, the overall concept of design. And also with 3D visualizations to use for the presentation.

Examples of virtual tours 3D 360 VR

How we are working

• Meet the object, go to the object;
• Discussion of wishes, requirements and preferences, drawing up a technical task;
• Refinement of sizes, measurements, photo spits, for landscape of the territory;
• Development of the planning solution, for the landscape of the General plan of the territory;
• Development of 3D visualizations, perspectives, top view;
• Development of working documentation (necessary schemes and drawings);
• Implementation - construction.

Private Interior Designer - Features

- This is an exclusive design. Important our criterion is the use of copyright decisions. I try to use the unique features of design and filling. It is as an individual - manual assembly of products. Almost every work, depending on its specificity, participated in architectural competitions. See our diplomas and letters. Private designer of the interior of apartments, country houses, cottages and townhouses, will create an interior that will be perfectly approaching you. Reflect your features, understanding about comfort, comfort and safety. For customers, we always offer an individual offer in price. Which is calculated from the number of necessary services, complexity, its area and the deadlines for execution. In the process of work, we conclude an agreement in which all the conditions provided services provided, deadlines and responsibilities are prescribed.

Private architect - conclusion

In our work, we unite - creativity over the creation of a stylish design. Knowledge of construction technologies, experience in creating various spaces and organization of building processes. Helps us always seek the goal! We are always looking for and offer optimal solutions to implement our ideas. Private interior designer, an architect in our understanding is a professional who creates unique images from his own behalf, and does not use patterns and names of different companies ...

Each of our project is a blank sheet on which we draw a picture ... and this picture is created only for you!

Moments from our work ...