Louise Kazaki. Furious Marquis

Marquis Louise Kazaki is a secular diva, a muse of the beauty era, led by artists, sculptors, photographers and leading a whole generation of talented personalities, characters desperately looking for harmony.

She was born in the family of Italian magnates, which posted cotton plantations. Childhood Louise is the landscapes of Lake Como, unquestioning in performing any of her desires, generous gifts and all-permissive love of the Father. The carelessness that she absorbed the year after year was influenced by the character and manner of the behavior of Marquis in the future. But at the age of 15 years, her parents died suddenly and a multimillion state was collected on the heir. According to the plan, everything should be as follows: Favorable marriage, fusion of capital and enhancement of well-being. After the debut on the ball, she gets a proposal of his hands and hearts from Count Camilo Kazaki. And after a year after the wedding, the couple celebrates the birth of Christina's daughter. On the preserved pictures of this time, the very typical girl Edwardian era. Altergofemme Fatale. , I woke up a little later and woke his poet Gabriel D'Eunzio. It is from their meeting that Louise transformation begins to the image that glorify the festival and freedom of the beginning of the last century.

Osin waist, excessive pallor of the skin, short hair, burning hair, scarlet lips as a trail from deep cuts and a veil of a chalk powder, covering neck and face of a girl. Her appearance did not fit into any existing standard of beauty. Eternally expanded pupils from smoking BelaDonna, instead of shadows coal crumb and overhead eyelashes. Her gaze was destroyed, he was manile behind himself the world where the price of pleasure is a loss of themselves, loss of consciousness, their own priorities and values. But it was in this world that Louise considered himself his. In the present, it was only a mirage, a ghost, which appeared in public in eccentric outfits, walked around by the Venice Promenade in the company of Chepadov, and dissolved in an endless series of parties and the futuresoiré e.

Avant-gardists called it destroying everyday life. All secular light rotated around Louise. Under the plates of her gramophone danced Dyagilev, Proust, Picasso and Earth. She patronized futurists and artists of Russian ballet. Among her dedicated admirers, you can even find the name of Kaiser Wilhelm Second. Constantly rotating in artistic circles, from the observer category, she herself transformed into a lively object of art. Many artists tried to relay her eccentricity through paints and performance. Louise never repeated, constantly trying new forms of clothing and experimenting over appearance.

Oranges, Egyptian sculpture, decorations, Nubian figurines, diamonds, opium, cocaine, champagne, receptions and routs are only the beginning of a list of her waste. Every his appearance in public she perceived as the last. All she needed is to remember once and for all. At one of the parties, she sat next to her wax copy. On the beach of Capri Island, she forced the guards to tell the fires, painted her hair into a green color and covered her own body of black paint. Wandering between the foci of Flame, Louise told how it connects invisible spaces, burning the boundaries between the real and imaginary. For his party in Rome, she recalled from the Zoo of the present lion and sat the animal at the foot of his improvised throne. For this world, she was crazy, for himself - otherworked for admirers - Divine.

Something mystical was also in her passion to the posing, which made the Kazaki's Marquis most portraged woman in history. Louise believed that with the help of canvas and paints, she approaches the implementation, perhaps her most insane idea - to find immortality, dissolving emotions and views in the colors, giving the artist minutes and hours of life. But the Museum of Kazaki was not only in the eyes of artists. As for the guide star, the whole Pleiad of the couturier of the beginning of the twentieth century followed. From his father's state, she invested the fabulous amounts in the development of designers and the creation of fashionable houses, while Louise convulsed young tanks to embody her the most crazy ideas in the matter, creating extravagant dresses and accessories. In 1910, Papa sewed Louise the fountain dress for the Paris Winter Bala. At the opening of the season of the author's parties in his mansion "House of Dream" Kazaki appeared in the legendary creature of the designer and artist Leon Baksta, the costume of the "Queen of the Night". 3 months left only to sow jumpsuit with real diamonds. The pheasani feathers were sewn in the back, and the headdress covered the gold-plated stars. Kazaki did not surprise the audience, she shocked her, greedily chose the gift of speech and resembled. Couturier read it and agreed to any experiments, pleaseing the opportunity to work with the Marquis. Thanks to the case, Louise met Jane Tussse, - the main designerCartier. . In the tandem, the girls created one of the most iconic collections in the history of the jewelry house, the main element of which was Panther as an allegory on the image of Louise.

So idle life ruined Marquis, and last years she spent extremely modestly, removing a small apartment in London, hiding from lenders and acquaintances, who once lent her money. But in the fashionable industry, Louise Kazaki did not subsigh even after her death. The shadows of the Marquise are visible on modern podiums and in the collections of the current couturier. Designer Duo Georgina Chapman and Keren Craig called their brand evening and wedding fashion title Kazaki - "Marchesa. ". In 1998, John Galjano arranged a real party in the spirit of Louise and turned the podium dior to the site for the enchanting ball. In 2004, Tom Ford painted the face of models with dramatic coal paints, thereby reincarnated the name of the Marquis once again. Karl Lagerfeld not only told the story of Kazaki in his 2010 cruise collection, he even organized a show on one of the beaches of the Lido Island, where the summer masquerades arranged in the 20th Louise. A couple of years before the show, Lagerfeld also filmed Karin Rotfeld in a photo session for FrenchVogue. , calling it to the marquise of Kazat XXI. century. In addition to the Rotfield, the actress Tildon Suinton reincarnated in Louise during his work for the photo project with the magazineAcne Paper Swedeen. . Incredible similarity, desperation and madness of the view, each posture and millimeter of these pictures says Louise Kazaki did not leave anywhere. She continues to life outside the matter and worlds, remaining still someone else's among their own among others.

Sadrod, Witch, Gorgon Medusa with hair, "impregnated caviar and champagne," she is "allegory of nauseous greatness" with ruby \u200b\u200bclaws - they responded about it alone. The goddess, dazzling percept, "Live Metamorphosis", eternal muse - others said. Stock Foto Top photoshot / vostock photo

The Marquis of Kazaki caused strange feelings from contemporaries: for third-party observers, she was a rich eccentric, for loved ones and well-knowledgeable people - a thin, exquisite, smart aesthet. The artists wrote it without tired - she was roasted in them. And one of the most fashionable poets of the era, the famous Hearter Gabriele d "Annunzio, fell in love with her at first glance.

And what happened that she lived in the invented world and entertaining himself, entertained others?

Louise Amman was born in Golden cradle. Her father, Alberto Amman, was a major European industrialist - owned a textile factory in Pordenone, producing cotton fabrics. Interesting for textile production, he inherited from the Father, a native of the Austrian city of Bregenz, Franz Severin Amman, who once moved from Austria to Italy, where he founded two weaving factories (one - near Milan), and Francesco Savoreio became. His son, Alberto, turned out to be the same succeeding - in addition to the production in Pordenone, he headed the Association of the Italian Cotton Industry, which was the founder of which was. At the age of 32, in 1879, he married a 22-year native of Vienna (from the Austrian-Italian family) Lucia Bress. A year later, on January 22, the spouses had the first daughter Francesca, and another year, January 23, 1881, - the second daughter named with the baptism of Louise Adele Rosa Maria. Both girls were prepared completely prosperity. Parents by that time had several houses, including a mansion at the Royal Park Villa Real in Monza and Villa Amalia on the shore of Lake Como. Of course, the King Umberto I was familiar with Alberto Amman and celebrated him among the subjects. One of the recognition of the king is the county title Alberto.

About childhood Louise is known not so much.

Brought up with governess, was a closed child, did not like noisy gatherings and especially connecting to guests. Louise preferred to spend time secluded, for example, for drawing. But most of all she loved to talk with her mother, how they love children who want to communicate with their parents more.

Her mother, Lucia Amman, examined children's drawings in the evenings, leafed with girls popular mod magazines. A young woman who shines in the world knew all about the beauty and fashionable dresses of that time. And Louise feeds a special passion to this topic. She could have a long time, as well as drawing, spending time at the disclosed wardrobes of the mother: to study the details of numerous outfits and precious jewelry. Lucia loved the pearls very much, and Louise, then will also be pearl threads in a few rows, as if these threads would tie her with her youth, which ended early ...

In the spring of 1894, at the age of 37, Lucia died suddenly. Graf Alberto was delicious: For the happy life of the family, he seemed to do absolutely everything, but who would know what happiness is?

He survived his wife just two years.

The custody of the girls took their uncle Edardo Amman, the younger brother Alberto. Sisters who inherited a huge fortune, by that time it was 16 and 15 years.

Start of carnavala

It's amazing, but before marriage In addition to the huge and frightening eyes, nothing in Louise gave her future supercalculation, addictions to the grand carnavals, bales, infinite reincarnations, its ability to take a special place in the minds of artists and poets and create an incredible excitement around them. How did the shy, timid Louise turned into an eccentric marquis, one of the most famous women in Europe?

And why her phenomenon does not fit into the framework of popular psychophysiological theories, like modern personality theories?

Loud history Louise began, of course, since childhood, with a lack of attention, which is then known, is necessarily compensated. Further, the tragedy occurred in her family - the loss of parents; She put her imprint on the original closure and Louise's timidity - did not become people with whom she was warm and cozy. Restoring in memory of the images of his adorable mother, Louise began to create all new and newest images, as if in continuation of that glorious travel to the world of fashion, who opened her lucy. And suddenly, after time, at some point she realized that he had an amazing skill - to "hide behind the costume" and in this suit differ from everyone else, stand out on their background. So a long-standing desire was carried out - to be noticed. This, of course, not all the motives that pretended to be originality. There is one more, material, - inheritance. But even with him, the explanation of the phenomenon of Kazaki will be incomplete, because the most important secret was hidden, of course, in it. In generous nature, explosive character, undoubted sense of excellent and self-esteem.

The first step towards the glory Louise was her marriage, in which the Countess became Marquis and remained after the divorce. And in the case of marriage, as, however, in the rest of the events of Louise's life, it should not be convicted in a caulist or built strategy - it was too rich for this. Everything happened quite unexpectedly - in the green eyes of a young, elegant and timid Countess, as in the bottomless pool, one enviable fiance was killed - Marquis Camillo Kazaki Stampa di Soscino, a leaving from the oldest Milan family. In enviable he was just due to the belonging to a noctive genus, but not in the sense of the state. When he suggested Louise his hand and heart, he was 21, and she was 18. After the engagement, calamation, preparations for the celebration and, finally, after the celebration, held on June 22, 1900, newlyweds went to Paris, where the World Exhibition was held, and Then they returned to the villa Camillo Kazaki and spent time: he was on the hunt, she was in communication (in marriage, her acquaintances increased and replenished with different famous names) and at the tables of spiritual sessions. The passion for the occult and black magic was then widespread. And in Europe, and in America, the Provided public wondered, recognized the future, spoke with the spirits of the dead. Louise was engaged in this throughout life. Gadlock, astrologers and others like them lived in her palaces for years, as if Oracles in the Empress. And among the items surrounding it in the last days, when there was no trail from the state of the seventy-year-old Marquise, there was a crystal case, in which she explained, the phalanx of St. Peter was kept: he threw it in Kazaki during a spiritual session ...

Biographers Louise Cattle D. Riersesson and Michael Orlando Yakkarino tend to think that the famous world of Marquise initially developed under the influence of some Christina Trivulzio, the heroine of the Italian creative Bogoe of the XIX century. The latter was also huge, expressive eyes and too fond of magic. True, Louise was born when Christina had already been in another world for ten years, but friends and Louise, and Camillo celebrated the unprecedented portrait similarity of these women. Kazaki herself was so imbued, which called Christina her only daughter, which appeared in the middle of the summer of 1901 ...

Stone Tosca

Gabriele d "Annunzio, one of the most famous and fashionable European poets and novelists, got to the heart of Louise unnoticed on the third year of her family life. The low, bald and infinitely energetic, D" Annunzio was a frank ladies, had numerous novels with wealthy women, Among which the inimitable actress Eleanor Duze was listed. Louise, by this time, was already bored in marriage, Camillo most interested in hunting and dogs, and she was engaged in maintaining order in their numerous homes and villas. In some photos of this period in the eyes of Louise - longing. But as everything has changed with the arrival in her life, D "Annunzio, who fascinated by Marquis and Passion, and literature. With his light hand, Louise became a bark (he called it one of the names of the Greek goddess Persephone), and together they began to" paint " Friend. Your feelings with different degrees of potential of Kazaki and D "Annunzio will carry to the end, to the death of the poet for the seventy-fourth year of life.

Portrait of a big friend

"This bald, unpretentious dwarf in a conversation with a woman was transformed primarily in the eyes of the interlocutor. He seemed to her almost as Apollo, because he knew how to easily and unobtrusively give every woman the feeling that she was the center of the Universe, "recalled the Aseedor Duncan about Gabriele d" Annunzio ... and it was not the only "contradiction" in his infinitely talented scandalist nature , Aventurist, a heartfelt, a stratum, a poet, playwright and even the pilot - an amateur of height! This is about it, Italian futurists wrote in their program manifest: "Gods die, and d" Annunzio remains! " He was a leaving from the rich and informant family (real name of the poet - Rapanetta), and despite numerous legends about the places where the future poet was allegedly born, he was born in 1863 in his hometown, in the provincial Italian city of Pescara, founded yet in Antiquity. The poetic talent D "Annunzio was discovered long before entering the university for the department of literature and philology. And his first poetic collection came out in 1879, when Gabriel was sixteen years old. It was a real debut, after which the poetic inspiration was no longer left d" Annunzio, barely Hurrying to purchase a verbal form in a series of numerous hobbies. About the host of wonderful creatures of the poet is worth mentioning separately. In the memoirs of contemporaries of D "Annunzio there are evidence that at sunset of life, he made a huge card file of his love adventures. She held a separate room and kept in Vittorial Villa. Its a special style of life, in many ways to the style of Louise Kazaki, D" Annunzio created in Rome, while studying, and then tirelessly "improved" him. The atmosphere, which the poet surrounded himself, can be submitted on the list made by creditors who saw the harp in a suede case, wild boar fangs, gold-plated antique statuette, altar doors, Japanese lanterns, a whiteway skin, twenty-two carpet, a collection of ancient weapon, embroidered beads Shirm ... In 20 years old, Annunzio married a young, charming girl, an aristocrat of Mary di Gallese, who ran out of his house because of him. Together they lived for a short time, and they managed to get three children. And then the novels d "Annunzio unfolded one for Another, anticipating erotic scenes of his novels and - Summing up the poet to a series of duels. The result of one of them is his bald. (The doctor who treats the wound on his head used too much an antiseptic solution ...) In 1889, the first novel Gabriel D "Annunzio" Enjoyment "comes out, after which he becomes even more popular. An expressant of individualistic aesthetism, it turns out to be as they say, on the crest of the wave. And then - the drama "Sleep in the Autumn Twilight", the novels "Triumph of Death", "Deva Rocks", "Innocent Sacrificment" and much more ... In addition to literary creativity, D "Annunzio is known and as a tireless public and politician who became a participant in various Time events: During the war of 1914-1918, he launched a campaign for participating in this war of Italy (on the side of the Entente), wrote various speeches of a chauvinistic sense. When Italy joined the war, went to the front volunteer ... after the war, in 1919 The year, being at the head of the Military Detachment, he took the city of Fiime, who seemed to be a stronghold of capitalism in the Balkans. After the Fiuma defeat, he began to show interest in fascism, then - to the Order of Franciscans. And finally, having entered the respectable age, partly move away from active activities , indulging in reflections and memories.

Cats and Gazelles

The costume balls and mascaras of the Marquis began to arrange in the possession of Kazaki, this passion was also fashionable in rich houses. A certain era was chosen, interiors stylized, and the guests arrived at the ball in the costumes of the heroes of the selected time. Mostly, these mascaras were charitable and collected a large number of participants. Louise conquered those present and outfits, and the ability to build into the image. In 1905, the public was trepidated at the sight of Kazaki in the guise of the Byzantine Empress Theodore (Spouse of Justinian). Her costume, jewelry and face under the makeup were so plausible, which seemed, time turned back - and in front of the audience there is a real feodor, which just descended from the Ravenskaya mosaic. At the Masquerade of the same year, held in the presence of the royal couple in the Quirinal Palace, the Marquis of Kazaki arrived in a dress made of golden sewing and chained the views of the public on an indecent time. Although enthusiastic costume is indecent? Here is a huge python instead of dresses - another thing, or leopard mantle, pounded on a naked body. It was not by chance that the Marquis often said that today, except perfume, there was nothing on it.

Roman with D "Annunzio liberated Louise: Her natural timidity was inappropriate for the unusual, fabulously expensive costumes, and then he was reborn in an unprecedented scale of the shower. It seemed that secular gossip about her scandalous chosen one was flying away from Kazaki without touching her. Her apparently , and really did not touch all sorts of brights and caricatures in your address, and maybe, on the contrary, it received pleasure from them. I wonder with what feeling she considered a popular caricature at that time, on which she was depicted in an embrace with D "Annunzio in the middle Bed marquise. Camillo reacted to it indifferent. And in general, it seems, turned out to be a noble gentleman, that is, I understood that Louise very much and highly replenished his humble state, that she did not interfere with his passion for the hunt and, most importantly, gave him a wonderful child. What else can real Marquis wish?

Spouses distant from each other in 1906 suddenly caught fire with a common matter - the construction of a mansion in Rome. As if for endless conversations of his rich neighbors Louise, the mansion was separated against all the traditions, the dominant was performed black and white color of interiors. But the biggest passion of the Marquis was, of course, not Venetian mirrors and luxury curtains, but animals. They surrounded themselves all his life, and in such a quantity that even at the end of its path, without having livelihoods, upholstered in the government rooms, she kept five to six Pekingese - a favorite breed. Sometimes she really had nothing, but she got dogs, she mined: familiar, friends, grocers. When, aged, some kind of dogs died, Marquis asked to make it scarecrow.

In the new Roman mansion, numerous Siamese, Persian and other cats lived, nearby the garden had a huge Mastiff Angelina, in the house in collars with major diamonds ranging (with which it was captured in several pictures).

"I entered the lobby, separated in Greek style, and sat down, waiting for the appearance of Marquis. Suddenly, I heard the tirade unthinkable vulgar expressions addressed to me. I looked around and saw a green parrot. He was sitting on a pranch, not tied. I hurriedly rose and moved to the next living room, deciding to wait for the Marquis there. And suddenly before me came the threatening growl - RDRR! Before me stood a white bulldog. He was also not on the chains, and I ran into the neighboring room, eliminated and hung with bear skins. Here I heard an ominous hiss: in the cage slowly climbed and hiped a huge cobra on me ... "- recalled the dancer Aseedor Duncan in" My Life ".

At the main entrance to this mansion, guests gave two cast from Gazelle gold. And all the inhabitants of this magnificence were so peculiar to figure out which of them more, and who less "natural," seemed to be difficult.

Funny in the closet!

Who Marquis loved more: animals or people? Rather, the first. And from people preferred men. There were practically no friendship with women's friendship, only with a few girlfriends would be communicated with communication. In relation to others, for example, various dislikes could be taken to the ladies present at its balas. Contemporaries said that during the infamous Paris Masquerade, arranged Kazaki in memory of the Caliostro column, for trying to copy her costume of Marquis, sharpened one of the ladies to the closet for the entire evening.

Louise heard a great patrons. A big sign of painting, she patronized many names, famous and unknown. Supported artists, poets, musicians: Filippo Tommaso Marinetti, Alberto Martini, Giovanni Bodini, Arthur Rubinstein and many others.

Acquaintance of Kazaki with Rubinstein began with a big misunderstanding: for the first time he noticed Marquis in muffled lighting in the cabin of one hotel, she saw her black, brought by coal, purple hair and frightened, cried up ... But then Kazaki completely fascinated the musician and supported him materially what evidence - His memories. And to the hospitality of the Marquise, there was a special feeling at all. Their acquaintance led to the wonderful results - an extraordinary portrait of Kazaki, which at the invitation of the artist rushed to Paris, in his workshop, spent quite a lot of time in his workshop, and in 1908 a canvas of the Marquis of Louise Kazaki with Borzoye appeared, which took the storm of ovations in Paris Salon.

Venice and Veyer Dei Leoni

In 1910, Kazaki made a purchase of centuries - an old Venetian Palazzo - Palace of Veniers. In the Venice of Marquis, it was told for a long time: it was tireless about this miracle city d "Annunzio. And the dream came true, the windows of her present palace went to the main artery of the city - a big canal. True, the half-hearted palace himself represented a sad sight, but for the Marquis was not there Nothing impossible. Having a good taste, she renovated him (thoroughly strengthening the building), while maintaining the spirit of the antiquity. In the Palace Garden, the original feature launched two hepards, they moved from Rome from Rome, and over time the green oasis began to resemble the incredible zoo With the stuffings, parrots, Pavlin (Drozda and Peacock were white), dogs, numerous primates, as well as cats. Again, the contemporaries of Marquis have noted that the whole liveliness of Louise had an extraordinary authority, the beasts were listening to her and practically did not show discontent to each other. Cheetahs have become a favorite topic of guests and familiar Marquis, which just did not compose about them, as about the next passion of Kazaki - Snake . The case is known when in 1915 during a trip to America on the liner "Leviafan" disappeared by the boast of Marquise. And she, barely surviving this loss, on arrival in New York immediately asked to buy a new boa ...

Despite endless conversations about her minds, Venice, it seems unconditionally accepted the Creator of Phantaja (only neighbors remained displeased): as soon as the Gondola appeared on the waters of the Big Channel, in which Louise squeezed in breathtaking outfits in an embrace with chepads, "the public was delighted. Soon, Kazaki merged with the atmosphere of the city so much that the balls sat right on San Marco Square. Would you deepel in the power of the city of such a brand, which would solve anything to ban Kazaki?

Bowl with flowers

You need to add a wax figure of the marquise to chepays and rent - otherwise the list of its cuch will be incomplete. Before making your exact copy of the wax, Kazaki bought another doll - a copy of the unfortunate Baroness Mary Even, which in 1889 in the castle Myierling shot her beloved Prince Rudolph (the son of Emperor Franz Joseph I). Kazaki used to alternately seize these dolls at the table. Prepare the condition of guests entering the room for dinner and occupy the places next door to them. His own copy of Louise asked to wear as well as himself. Why did she need these dolls? As a tool for a draw? Or maybe getting involved in magic, she assigned to them another role? It is interesting to know what eyes the dolls are copies of the Marquise, could they be similar to her real? It is said that the brilliance of the latter was simply explained: Louise instilled his drops from Belladonna, and then drove her eyes with coal (for what he was afraid of the Rubinstein mentioned above), and the five-hundred-caught eyelashes stuck.

But what these black and green eyes were obtained on the canvases of Alberto Martini, Giovanni Bodiani, Kesa Van Dongen, who created a series of portraits of Kazaki! On one of them ("Bowl with flowers") Louise, shown near the bowl, exudes an extraordinary fragrance of temptation. Wang Dongen stood so much to her, which refused to sell his work and returned to her image over seven years. And in 1921, he even settled in Palazzo Dei Leoni, ranging from Parisian critics. Their romance cooperation turned out to be, as in the case of the poet d "Annunzio, infinitely fruitful: they were fed on energy, passions and fruits of each other's imagination. Although it is unlikely that it is unlikely to compare its short-term relationship with Wang Dongen with a novel about life - with d" Annunzio. Wherever Louise lived, she certainly returned to his poet, brought gifts, postcards, at the moment of absence he wrote him from everywhere. One day her message-message exceeded all expectations. Marquis sent a poet to the parcel with a turtle acquired in the Hamburg Zoo. And the poet "answered" her with a small black alligator, in any case, so they spoke their friends. The turtle helped live from D "Annunzio for almost five years, but then, right before the arrival of the Marquise, - and it is necessary to happen to such a mansion, she smoked at the garden of his mansion and poisoned. Knowing how the dear heart is saddened, the poet ordered Heli Golden Armor and She put it in this case on a satin pillow. Apparently, assuming that the effect of this spectacle will somewhat scratch Louise bitterness loss.

Extravagance under the curtain

Marquis finally broke up with his spouse in 1914, and the official divorce received only in 1924. Christine in 1914 turned 13 years old, she remained with his mother. Although what does "remain" mean? The daughter first lived in a strict Roman Catholic monastery, and then he studied at Oxford University, which never graduated. And the carnival of life Louise continued, though, now with a smaller scale: the entertainment activities of the European Beaujda decreased in connection with the First World War. And after the war, the world became different at all, and it could not not feel Kazaki. Her lifestyle changed, although, of course, it did not become less eccentric.

The fate of Christina turned out to be quite unlike the fate of the mother. In 1925, she married Francis John Clarence Westerna Plantagenet, Viscount Hastings, contrary to the will of his beloved parents and settled in England. Her spouse was engaged in painting and even created the portrait of his scandalous mother-known mother-in-law. In 1928, Christina gave birth to a girl called Muring.

The granddaughter of Marquise will play a special role in her share life: she will be one of the few next to Louise in old age. Christina will dismantle with Hastings, will marry the second time, but will leave about 51 years old. So, gradually close people will leave the marquis ...

Graph Caliostro leprovers

Especially loud and sometimes scandalous glory of Kazaki attached events related to the series of its 1927 balls. One of them, Maysky (he, truth, was the most "quiet"), captured the ASEDOR ASEDOR'S ASEDOR DOUNKAN MERI TO REST IN THE BOOK "Uncovered stories": "We arrived around midnight in terrible bad weather. It seemed to us, before us had a fabulous vision. The house was surrounded by a variete of tiny light bulbs ... along the paths again lackeys in luxurious, seashed gold camsoles, satin pants and silk stockings. In the house, despite the flood, all the stars "Comedy Francese" and the most famous poets and artists of the time gathered. The reception truly hit the magnificence ... Growth in this thin woman (Marquise. - Approx. Ed.) There was something meter eighty, and in addition she put on a very high black hat, destroyed stars. The faces were not visible under the mask, from under which they sparkled under to become diamonds, taking hands, neck and shoulders, huge eyes. As Somnambula, she passed through the halls, crumpled with everyone, as if one of the invited ... "It was called the Golden Rose Ball. Next, Mary Destmies notes that in memory of the magnificence seen, she had long kept a gold rose, inside which was a tiny capsule with a pink essence - gold flowers were distributed to guests before traveling. This ball was surprisingly calm, but the other - in memory of the Caliostro column, arranged a month later, failed. He was preparing in the Paris mansion of Kazaki - Pale-roses, who belonged to her, Rather de Montc region. Cooking for the holiday were ambitious. Before the arrival of the guests, the Palace Garden was tired of burning torches, the tables were abounded by disadvantages, the servant dressed in wigs and costumes, corresponding to the spirit of the Great Sorcerer. Who was not here! Peter the Great, Maria Antoinette, Count D "Artoi ... But the action turned to reversing the forces of nature itself, such a thunderstorm began to be lightning, it seemed that I was about to burn all those present. There was a terrible panic, and the guests began to scatter in all parties right in horror Water streams, and still fired from above. Everything was mixed: costumes, crinolines, wigs, makeup spread through their faces. It was a terrible spectacle.

Pay all bills for this masquerade Louise can with great difficulty, seeking funds from the remnants of your condition.

And from this point on, its debts have grown steadily. The contents of the palace went with the hammer first, and then the structure itself, and most importantly - an extraordinary "Hermitage" of Kazaki, where they say there were about 130 jobs dedicated to it. And if you submit, what names were present in this gallery, you can make an idea of \u200b\u200bthe amount of debt. Although Marquis has never been able to be quarreling, which there are such facts that she could pay with a taxi driver precious stones. By the way, one of the golden gazelles acquired Coco Chanel at that time ...

In 1938, her most sincere friend died - Annunzio. At his funeral, Kazaki did not go. Maybe I remembered the fact that the poet did not respond to her request for a loan before the auction in Pale-roses. But what should have been the amount This loan?! Marquis did not go into such details. And maybe she just did not want to see him dead, there was no her daughter's funeral ...

In the old age, Marquis continued to remain Louise Kazaki and still as a magnet attracted people to themselves. The last fifteen years have not once checked her for strength, and she has not changed her thirst for life. As biographers, Cattle D. Riersesson and Michael Orlando Yakkarino, and Michael Orlando, the situation in which she was, did not resemble the same. Once, one of the richest women in Europe was content with a sofa, packed by horse hair, an old bathroom and broken clock with a cuckoo. At the same time, Kazaki continued to entertain himself and visited her friends, the number of whom heavily decreased: it was collages from newspaper and journal cuts. And her work as always was imbued with fiction and originality.

On June 1, 1957, Louise Kazaki became part of eternity. She died for a favorite entertainment - after the end of the spiritual session. The granddaughter dressed her in the legendary leopard costume, the last friend of Marquis, Sydney Farmer, brought new false eyelashes for her, as well as the stuffedness of his beloved Pekingese, who was lined up in the feet of the ship's hostess.

Beautiful Marquis is resting in London at the Brompton Cemetery.

I was impatible here to build a garden in a bottle. This is.

Therefore, we went beyond the plants in the store in the next village. And in this village there is a castle, such a concrete, huge castle on the floor village. This is.

And how much we go there for years in a row, and never seen it near it. Therefore, it was finally offered to fill the cultural space. Arrived, parked, passed a hundred meters, looked. Very impressive. Such a copy in the miniature of Milan Castle, who saw, can help. But in contrast to the elder brother, tightly closed, abandoned, all in ivy and black subtexts. It even disappoint that such beauty disappears.

I wondered to find out in more detail what's there with this castle, but how. I returned home, about the garden in a bottle, naturally, forgot, and let me google. This castle is built at the middle of the 14th century, and belonged to the owners of Milan, the family of the Dukes of Wisconti. They came there on the summer holidays, hunting, for harvesting, or what else in the summer they were engaged in the summer. Well, then, as usual, with the death of those and these, the castle went hand. So far did not transfer to the ownership of the Markizov family of Kazati-Stampa di Sonino. And then, I read, after the tragic events in the family, was bought by one rich entrepreneur.

Here, as you can guess, I immediately turned the ears - what kind of tragedy, about which I still do not know? And let's congratulate again, now with great interest. There is another unbearable apartment of the Italian criminal chronicle, yes, so such that at the time to start the tag "their morals".
Under the cut continuation, a little 18+.

The penultimate, it means that the master of the castle and the heaps of different real estate was Camillo Kazaki-Stampa di Sonino. And he married a second marriage on one beauty from commoners, named Anna Fallarino. This Anna was a beauty and a woman without complexes that Marquis, probably, was attracted, because he himself was a big cauting. He loved Anna Fallarino, though heavily, but very in his own way, in an aristocratic one. For example, he liked to look at the copulation of his wife with different outsiders, whom he specifically invited for these purposes, and then photographed their memory in various indecent poses. And led all this outcome of strict documented accounting with detailed descriptions.

They say that he had even a whole island, with a mansion in mirrors and transparent walls, where he looked at the company in the company of the same perverts. And the grief of that curious rotose, which would have decided to enjoy the island: Marquis, they say, kept the charged rifles around and shot on defeat.

In general, they spent so much of their time: his wife, it seems, also liked this alignment, and maybe she was just nowhere to have nowhere, who knows, but they lived like in harmony and harmony. They indulgeted their orgies, the photographication was accumulated, and they would have lived so much, but here he was suddenly the aristocrat brought Anna Fallarino to one of the young guys, whom, in fact, and invited to participate in orgies. After all, perverted logic at Marquis.
I did not like it that my wife had to guy like how the emotions of love and tenderness arose.

Not that marquis, and truly, it turned out to be such a jealous, it was not that he was insulting for a shaky prospectus of future orgies, but one day, being on the hunt from friends, he confirmed that in his absence his wife takes a visit to the guy himself. Marquis rushed home, opened the door with Pink and fired at first to his wife, then in her lover, and then shot himself. So they were found: a peacefully resting in Anna's chair, I didn't really have time to understand what happened, her lover, having managed to realize that at that very moment he came to him, and the Marquis himself came to himself with his own head alone.

They say the police themselves are shocked from this scene. First, because it was not an abona about whom, but about one of the richest and influential families of Italy. Secondly, because many were heard about the trading of Marquis and his wife, and the magazine was found in confirmation of that magazine with all their intimate accounting. And thirdly, because at the poor Anna from the place of injury, according to eyewitnesses, instead of blood flowed in an incomprehensible white liquid, and the backward Italian police could not know how this could be. Because in 1970, few people knew about Silicon and about breast enlarge operations, which was undergoing unhappy Madame in America for big money.

In short, this is a triple murder-suicide made a bunch of noise in newspapers, especially since almost immediately some kind of benefactor handed over to the seal of the spicy pictures of Anna Fallarino, filmed by the marquis-photographer during their love jice. Thus, the Italian man in the street could have been treated with the fallen aristocracy, to envy her thumbnails, and finally calm themselves the thought that the rich also cry.

Marquis has a minor daughter from the first marriage, which inherited all his endless wealth. Here, too, did not cost without intrigue: during the lifetime, Marquis left the will, according to which everything, completely all passed into the hands of Anna Fallarino, if she died after him. Relatives of an unhappy woman, the people are simple and before that stupidly envied by a lucky Anna, it took to rub his hands waiting for himself a part of some estate. But the dynamics of death showed that the Marquis was logical to leave this world, so poor relatives remained not to cases.

And the unfortunate daughter was under the press of his grief, the attention of the yellow press, public opinion and the omnipresent tax, which demanded immediately pay the crazy money as a legacy tax. The girl was in a difficult situation, but she came to the aid of her earliest lawyer, who advised to sell something from the property of Marquis to one rich entrepreneur, a certain Silvio Berlusconi. As it was done, and they say that it has become strongly used.

Saved

She was a young secular lady when he met Gabriele D'anunzio.
He became her teacher, laid the foundations of the image, imprinted by many artists. Pictures, sculptures, photo portraits - a whole gallery scattered on museums and private collections. But there was still her life - a unique, possible only in an excellent era. The reflections from her barely come to us, they go out, weaken over time. Huge wealth inherited from parents, she turned into beautiful palaces, jewels, outfits and travels. In luxury carnivals and holidays, in one insane performance, in the show, as our contemporaries would say. In the center of these multifigure compositions, one static hypnotic image has always taken.
Her name is the bark. So called her d`annzio. (She corrected for beauty - Core).
Bark, Hecata, Deva of the Underground World - Archetypes of the Women's Divine. What did she know about it? What did D`annzio know about them, whom she called Ariel?

"I want to be a living masterpiece!" - proclaimed the bark. And she became them.

Portrait of Kazati Brush Giovanni Bodia

Kazaki in the Crown Empress Feodora

Portrait of naked marquise. Giovanni Bodiani

Roberto Montenegro. Kazaki. 1914

Kazaki acquired and restored Villa Palazzo Dei Leoni in Venice. He thought over and embodied the luxurious interior. Each season for the time of moving from the Roman Palace on the villa transported floors from black and white marble with illumination. Golden Gazelles were conquered in the doorway.
In the garden, she settled a lot of white peacocks and albinos frozdov. White and black greyhounds lived together with the hostess. And not only they - the Marquis held many other exotic animals, the manual cheetahs were especially famous, which she walked on a leashere to the diamonds; Python, whom he made with him on the trips in a velvet case and the furious monkey, who scared the guests and shouts. According to the legends and memories of contemporaries, the animals of the Marquisians never quarreled among themselves, did not attack each other. But it is known that animals often reflect the nature of their owners.
In addition to all sorts of extravagant costumes, Kazaki loved nightlings in the fur Palantine, thrown on the naked body. They accompanied her faithful cheetahs and high-ridden Arap-chameliner with two burning torches, illuminating the spectacle to the public. Some joke said that only perfumes were on her. High growth and slender figure made it possible to embody any images, wearing the most unthinkable outfits. It is so captured on one of the portraits Umberto Brunelesca, written around 1913.

One of the walks of Kazaki came out, wrapped in a tiger skin, and the head of the tiger was concerned over her own ...
At one of the Arrangements arranged by it, Marquis played intermenia in the Deadadian style. With a scream: "I suffocate!" She threatened his dress in front and collapsed on a black velvet carpet. Baron Panatelli reassured the frightened guests and suggested everyone to follow the "body" of the Marquis in the gondolas on the small cemetery of Torchello Island - listen to the clock Mass.
Sometimes Marquis satisfied balls even on San Marco Square.

Lion Bakst drew and designed about 60 carcase costumes:

One such costume is completely from the light bulbs -
"Fairy Night" almost led to the marquis to death:
when turned on in the outlet, a short circuit happened!

Drew Bakst and Portraits Louise:

Julius de Blaas. Portrait of Kazaki in white harlequin costume,
designed Bakstom:

Even in a decadened era, most of the public remains oblique. And although Sarah Bernard, Ida Rubinstein, Cleo de Merod and other no less brilliant heroines, and other not less brilliant heroines, and other no less brilliant heroines were not understood. It was too rapid even for those legendary times. Its limitless imagination, supported by huge financial capabilities caused a painful envy.
Louise Kazaki was good not only for animals. Her aggressive images and a face resembling that Mask jellyfish, then the head of the lioness was just a matter. The story has been preserved about how the Marquis arranged the fate of his gondoller, gave him a fortune that he gave him the opportunity to marry his beloved girl aristocrat. The bride's parents were categorically against a marriage with a simple gondolier, and Louise persuaded them orally and writing, sending deposits written by an exquisite syllable on the stamp paper ...
Louise traveled a lot. As a child, one of her idols was King Ludwig || Bavarian, and she rode in the Alps on the sleigh at night to see the beauties that he saw, and perhaps, look at his dreams ...
Louise Kazaki had another favorite heroine - Kristei Di Belfoomo Princess, who lived at the beginning of the X1x century. In honor of her, Louise called Kristina his only daughter. This princess was, as our contemporaries would say, real Gothesis: black-haired, thin, high, with a lonely pale face. She inspired Mussse, Chopin and Delacroix. In her budoura, they found a partially nabialized corpse of her young lover. According to rumors, this legendary person retained the hearts of his lovers in gold boxes after their death. To make your gaze even more magnetic, and even more to go to the princess Christina, Louise buried to the end of his life in the eyes of Bladonna, and pupils increased it, occupying almost the entire center of the eye.
For hobbies of mourning outfits, Kazaki awarded the nickname "Venus with Per Lashhez".

Another portrait of the Harry Brush

On one ball in Paris, Louise appeared all in black with a wax copy of the bloodied hand, compressing the dagger, on the neck. And in the Paris Opera squeezed in Espiri from white peacock feathers on fire-red hair. Present blood flowed on her hand. That was the blood chicken, slaughtered along the road in the car by personal driver. At the premiere of the Russian ballet, she appeared in a dress from feathers of white Herons, cummed at each movement. From the theater, she came out in fact Nagya. She was not satisfied with his own hair and wore wigs, she had a headdress from woven snake stuffed stuffed, rustling with every movement. Like modern fantasy lovers, she cling to temples gilded lamb horns, went out into the light with a black bandage on the eye, and the greyhound could order to paint the color of the feathers of his favorite hats - especially for a particular walk.
Her friends were the famous Dandy Count Robert de Mogtec region and his lover Gabriel de Antri. Montopecia communicated with a very narrow circle, in that circle of Kazaki was titled goddess. They attended the most fashionable stores of Paris. René Lalik ordered all sorts of jewelry - amulets, pendants, belts, tiars, hats, studs and many other things. From 1912 to 1914, Marquise was the main customer of the Poire field.

Giovanni Bodia.
Portrait of a Count Robert De Montcape

Louise Kazaki gave tribute to the doll, ordering a wax copy of the killed mistress of the Austrian Erzgertzog Mary Even, as well as their own wax portrait in full growth. This figure, in the hostess, silently sitting behind the tea table, frightened guests to madness. The artist Lotta Prievel created a small wax copy of the Marquis, which became its most beloved toy and the center of existence for a long month. This is how the artist itself characterized his model: "She had an artistic temperament. Not having a talent for self-expression in any of the arts, she turned itself into a work of art. It is completely deprived of inner life, which is not able to focus on anything, she drew her insane ideas from the outside. " I will allow myself to disagree with this strict criticism. Shouldn't everyone do what he does a master? Louise Kazaki had a wonderful taste and a sea of \u200b\u200bmoney. Why was she studying music, drawing or other arts? Annunzio taught it the most precious arts - to be free. After all, even the rich lives in captivity of conventions, especially the aristocracy. Few rich attachments were drowned by eccentricity, although those were also. Even in our time, with the apparent tolerance and all-priority, it is impossible to get a job in the office, having a hairstyle "Iroquim" or even just come to an interview in extravagant, albeit neat clothes. What to talk about the beginning of the twentieth century? Kazaki was a bold and talented. She fell a unique chance to live as she wanted. And she could realize himself much more fully, rather than if she studied some kind of art.
Relations with D'annzio Kazaki supported throughout life. She wrote to him letters with only them with two symbols and sent invitations on black parchment, written by gold ink, decorated with a skull and rose. The poet answered the Museum in the same mystico-emel key. This telegram is wonderful monidity sounds from Louise to D'annzio: "Glass cases Master made me two huge, green, sparkling eyes - do not send them to you?" The poet was replied to be consonant: "Ariel is in Melancholia and fights with a clever." It follows another stipogram of love: "I found a small gold amphora from your necklace. She is empty. At the bottom - no grana hope. Ariel.
D'annzio devoted the muse the unsuccessful novel "Being maybe, perhaps, no" and the unfinished story "Wax Figure". For some reason, it is believed that the scenario of the sensational film "Mr. Designer" was written by the Green Car Greenovsky story. In fact, in the film you can find only traces of this story. And from the "wax figure" in the script we will find a lot: the hero falls in love with the wax twin of his mistress. The copy comes to life and occupies the place of the original.

I would like to give a point of attention and gifts that gave each other lovers: a glass ball for meditation poet gave the crust shortly after they met. With this ball, it is captured on a variety of picturesque and photoportines. Marquis gave a friend a ring belonging to once Byron. There was another special gift - a live turtle. Its stuffed still decorates the table in the rest of the villa d`annzio.

Beltran and masses. Portrait of Louise Kazati

Portrait of Marquis Markisa John's Brush

Part of the living room d`anunzio with chucks turtle on the table

With the beginning of the first world wonderful era ended. Modern came out of fashion, he came to replace the A deco, but it did not become an obstacle for Kazaki. New painters continued to multiply her portraits and glory, photographers were added to the painters. She inspired Kes Wang Dongen, Futurists Jacomo Ball, Carlo Carrupt, Fortunato Dremero and many others.

Jacomo Ball. Portrait of Kazaki and her beasts

A fragment of symbolism remained a graph Gustav Adolf Moss, who wrote the portrait of Louise in the form of a radiant head with a formidable look and exhale coming out of a slightly tasted lips.
With the age of Marquis, it was all eccentric: apparently, it was not necessary to use the substances widespread at that time, freely sold as medicines - such cocaine and heroin (they were prescribed from cough), opium as a sleeping bag. In fashion were absinthe and hashish. Cocaine's chips were divorced in champagne, and cocaine paste was smelled to toasts as aphrodisiac. With the means of Marquis, it was not difficult to get any psychotropic agent, in any quantities.
The island of Capri was considered unusually fashionable, and Kazaki against the will of the owner penetrated the Wile San Michele, which belonged to one rich doctor. The doctor rashly signed a treat with her, and could not exertize the Marquis back. Louise immediately replaced the situation in accordance with his tastes and continued his life characteristic of her: to receive guests in the costume of Eve, to pose by artists, inviting Gabriele to visit D'annzio. He brought her as a gift Flowers from Murano glass to decorate the garden, sang Serenads loudly in the garden. Sang, apparently, not bad, as it was going to listen to these concerts under the windows a small crowd.

Portrait written in San Michele American artist Romain Brooks

In the evenings at the villa came guests, they took psychotropic drugs, indulged in spiritualism and were divided into foci, which entertained their Louise: swinging palm trees in the garden (with the help of powerful fans), an artificial moon in the park ...
In 1921, a friend of the famous Count Robert de Motesy died. He was a teacher of Marseille Proust, who brightened his beauty professor. He died of kidney disease, costing the unbearable use of all sorts of substances, bringing enjoyment, sophisticated yokes and wines. After him, there was a manor panel of roses near Versailles, under Paris. The owner of this manor became the Marquis of Kazaki. According to his custom, the Marquis has transported marble floor to the building with alabastry sun, highlighted from the inside. In one of the bathrooms on the backs of gold-plated lions, there was a huge alabaste bath, where water was pulled out of the mouth of jade fish.
The Hall appeared a clock stuffed panther, and for receptions of guests they took a time for renting a couple of Bengal tigers under the direction of the tamer.
In the former library of Count Montesc region, books on magic and sorcerence and a whole gallery of portraits of the Marquise, which consisted of about a hundred thirty copies (their exact number is not known).
Louis jewelry ordered now at Cartier, and the plots for the jeweler, the artist Jeanne Tousssen pempolished in the house of Kazaki, inspiring numerous inks.
In 21, MAN Rei created the world famous photographs of Louise.

In 25 and 26 years old, Marquis has seen in America. Then she began using a veil with which he rarely parted later. This veil caused the flow of legends - as if she had hidden the scars applied by claws of predators from a homely zoo, or even a stigma, screaming with a certain rejected fan. But everything was much more prosaic - the veil hid wrinkles.
Returning from America, Louise continued to arrange mascaras and holidays. Some of them fell with noise, some were successful. The cargo is gossip and legends accumulated, debts grew. As neither sad, the Marquis gave her huge state. The old friends died. Boldini's lingerie rake: "They all called me all Mrut!" He himself lasted until 89 years.
Lost friends and daughter supported Louise. Any amounts she with ease of passage, so there was extremely small money, only the most necessary. But she did not lose his body's cheerfulness and never slept. He lived in more than a modest setting, was collages from journal and newspaper clippings. One familiar who had the connection somehow saw these pictures and suggested to arrange an exhibition, but Louise refused.

Alberto Martini. Slow refund from reincarnation.
This portrait was especially loved by beasts.
from a home zoo

There are no marquises for a long time in the world, but the image of it and now inspires fashion designers and artists. There is a big photo session, where in the image
Kazaki posing beautiful Tilda Suinton:

Today Etude will be devoted to one of the most eccentric beauties of the past, Marquis Louise Kazati..

Louise Adele Rosa Maria Amman was born on January 23, 1881 in the family of successful Italian industrialist Albeto Amman, who King granted the title of Count. Biographers write that in childhood Louise was not too sociable; She loved to be in solitude, draw and spend time with his mother, luxurious fashion magazines and delightedly considering luxurious mother's toilets, elegant dresses and sophisticated jewels.

Louise was quite young when her mother died suddenly, and in a few years a father. Together with my sister, they became the heirs of a huge state, but, right, no inheritance could compensate such a loss. It is possible that this is explained by the relationship to the money with which Louise lived all his life: she never thought about them, did not save, but only spent, spent and spent ...

The title of Marquis and the surname of Kazati got to her from the spouse - the girl married in 19 years for a noble, but poor Marquis Camillo Kazaki Stampa di Soscino. She gave birth to his daughter and on the third year of the family life acquired a lover - the famous poet and the novelist Gabriele d'Annunzio did not resist her hypnotic glance. By that time, family shackles began to annoy Louise, she missed - and it was the romantic and energetic "knight" Gabriele inspired the young Marquis to turn the monotonous weekdays in a fascinating and bright performance.

By the way, Louise and Gabriele's relationship launched until the death of the poet in 1938. The legitimate spouse looked at that novel through his fingers - it seems to be more fascinated by the hunt. We also, in turn, are interested in the style of Louise Kazaki - a genuine muse of their time.