Analysis of a poetic work. "Whisper, timid breathing ..."

Whisper, timid breath,
Nightingale trills,
Silver and wobble
Sleepy brook.

Night light, night shadows
Shadows without end
A series of magical changes
Sweet face

In the smoky clouds, purple roses,
Reflection of amber,
And kissing and tears
And dawn, dawn! ..

Analysis of the poem "Whisper, timid breathing" by Fet

A. Fet is rightfully considered one of the best representatives of the romantic school. His works are "art for art's sake." Distinctive feature Fet's creativity was an amazing combination of landscape and love lyrics. The poem "Whisper, Timid Breathing" (1850) is one of the best creations of the lyric poet. It is dedicated to the tragically lost first beloved of the poet - M. Lazic.

The publication of the poem sparked a mass critical reviews... Many reproached the poet for being completely divorced from reality and non-objectiveness. Fet was blamed for the lightness and airiness of the images. Some critics have argued that an excessive eroticism is hidden behind obscure images. The most unfair were the statements that the poem was just a technically weak trinket, worthy only of a mediocre rhymer. Time has shown that a huge poetic talent was hidden behind the apparent simplicity.

The original feature of the work is that the author does not use a single verb. Even epithets do not play a big role, they only emphasize the characteristic properties of objects and phenomena: "timid", "night", "smoky". The main effect is achieved by a special combination of nouns. Their diversity makes the poem dynamic and imaginative. “Human” concepts (“breathing”, “tears”) are intertwined with natural ones, creating a feeling of an inextricable connection. It is impossible to draw a line between them. Love relationship woven into the world. The feeling of passion dissolves in the surrounding colors and sounds. Morning changes in nature are immediately reflected in a person in the form of "changes of a sweet face."

The poem consists of one continuous sentence. This compensates for the lack of verbs and increases the dynamics. In general, the work is a combination of sounds, visual images and sensory experiences. The author gives the reader only a general outline of the picture, the missing details must be completed by the imagination. This opens endless possibilities for a flight of fantasy. The coming dawn becomes the culmination of the work, symbolizing the highest point of love passion.

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Afanasy Afanasyevich Fet (1820-1892) - one of the most major poets schools of "Pure Art". Far ahead of his time, Fet did not immediately find his way to the hearts of readers. Only a few connoisseurs of art were able to notice and feel the peculiarity of his poetic talent during the poet's life. The poet had the talent to "catch the elusive", to give an image and a name to what before him was nothing more than a vague fleeting sensation of the human soul, a sensation without faith and name.

The poem "Whisper, timid breath ...", written at the end of the 40s, is one of the most famous poems of Fet, from which his fame began. For many readers, it has become a symbol of all Fet's poetry, a kind of self-portrait. At one time, it brought the author a lot of grief, causing by its appearance the delight of some, the confusion of others, numerous ridicule of the adherents of traditional poetry - in general, a whole literary scandal. More than 30 parodies of this poem have been written.

Everything in this lyrical work was new for Fet's contemporaries, and everything was striking in its unexpectedness. First of all, the wordlessness of the poem is striking: it is built from only one noun phrase (out of 36 words of which it consists, 26 are nouns). Thanks to this, it is felt that everything in nature has stopped. But there is still some movement. It is conveyed by verbal nouns: breath, wobble, change, reflection, whisper.

The most surprising and unexpected thing is that Fet's objects are unintelligible. They do not exist by themselves, but as signs of feelings and states. They glow a little, flicker. By naming this or that thing, the poet evokes in the reader not a direct idea of the thing itself, but those associations that can habitually be associated with it. The main semantic field of the poem is between words, behind words.

“Behind the words” the main theme of the poem develops: the feeling of love. The subtlest feeling, inexpressible in words, inexpressibly strong. Nobody has written about love before Fet. At first glance, the poem seems to be a set of visual and auditory impressions, but a very specific picture filled with a certain content is created in it. We are, as it were, on a night date. You can imagine where and when a love meeting takes place: in the garden, by the stream, when a moonlit summer night reigns. Probably, a stormy explanation took place between the lovers, which was resolved at dawn with tears of happiness and farewell kisses. It was important for Fet to convey the "music of love", so he looked for "musical ways" in expressing his poetic feelings.

Fet is one of the first in Russian impressionist poetry: he depicts not so much objects, phenomena, as individual scraps of phenomena, subtle shades, reflections, shadows, indefinite emotions. But taken together, they form a coherent and reliable picture. The impressionistic manner is especially felt in the line "Night light, night shadows, shadows without end." On the one hand, a certain mystery of this light is emphasized, on the other, it serves as a justification for the author's technique: the last word of the sentence is the first of the other. Thanks to this, the effect of smooth overflow, fusion in nature of all its manifestations is achieved.

The poem well illustrates the peculiarity of Fet's work: love and landscape lyrics make up one whole for him. Therefore, closeness to nature is closely related to love experiences. The feelings of lovers (whispers, timid breathing) are the same as the "trills of a nightingale", "the waving of a brook."

Compositionally, the poem is divided into three parts. The first quatrain is a description of the evening in small strokes - nouns (whisper, breath, silver, waving of a brook), but in combination with epithets these nouns convey a feeling

from meeting lovers. The second quatrain is a description of a night spent together

in the ecstasy of love. In the first line, the epithet "night" enhances the magic of the night, which magically changed the features of the beloved's face. The second part conveys not only the depth of the night, but also the depth of the characters' feelings. The night is beautiful, nothing disturbs the lovers. The third part - morning: "... And dawn, dawn! ...". But what is it for Fet! The reader shifts his gaze to the sky. Before us are "smoky clouds". The epithet "smoky" emphasizes their lightness, weightlessness, purity, and this is no coincidence, because the poem is about love. author

uses color symbolism: "... purple roses, amber gleam ...". And before us there is a picture of dawn, early morning with light clouds, painted in a pinkish-yellowish color ... The technique of psychological parallelism is used here. Paintings

nature in light colors of dawn correspond to the state of mind of lovers: “and kissing, and tears; and dawn, dawn ... "

The key images of Fet's lyrics - "rose" and "nightingale" are mentioned. They symbolically embody in his lyrics the connection of love, nature and inspiration. It is in these symbolic details of the external world that an obscure experience nevertheless emerges. "Rose" is a symbol of the fire of passion, earthly joy, and also symbolizes natural beauty as a source of poetic inspiration. The poet's nightingale trills act as a kind of "ray" connecting the moment and eternity, and the "nightingale" symbolizes the ideal, the sublime.

The ending is significant in the poem: it truly completes the lyrical plot. "Purple roses", "gleam of amber" pass in the finale of the poem into a triumphant "dawn". The last words of the poem - And dawn, dawn ... - sound not in a row of others, but in emphasis. They are comprehended simultaneously and in direct meaning("Dawn of the morning") and metaphorically ("dawn of love"). Dawn symbolizes the light of love, the dawn of a new life is the highest expression of spiritual uplift.

In Fet's lyrics, there is a strong feeling of insufficient verbal expression: "where the word goes numb, where sounds reign, where you hear not a song, but the soul of a singer." Therefore, a special place in Fet's lyrics is occupied by the melodic organization of the verse: its euphony, the use of assonance, alliteration, a variety of rhythmic moves.

The feeling of movement, dynamic changes taking place not only in nature, but also in the human soul, is created due to the “hasty” rhythm of the chorea, alternating lines of four and three feet. It is important for Fet that the poem is read in one breath, unfolds and sweeps swiftly, like the time of a date, so that his rhythm beats excitedly and rapidly, like loving heart... The female rhyme gives the poem melodiousness, musicality.

The poem presents such expressive means as epithets, which are played by nouns: "silver", which conveys the color of a stream, "wobble", which conveys the meaning of light movement. The epithets "timid breathing", "magical changes in a cute face" convey the emotions of the hero when he looks at the heroine. The metaphor-personification "sleepy stream" conveys the serene state of nature at night. The author also uses an oxymoron, very harsh - "night light" (instead of "moonlight"), metaphors "purple rose", "reflection of amber", conveying the color of the morning dawn.

Throughout the entire poem, a non-union connection is used, only at the end a repeating union “and” appears, which speeds up the pace, leads to the culmination: “And kissing, and tears, and dawn, dawn! ...”.

The prevailing number of vowels "o", "e", "a" create a mood: light, dim, at the same time it has some kind of variability, inconstancy. The sound "a" corresponds to the red color, it is disturbing, corresponds to the color of the dawn, and the mood of delight at the sight of her, the highest degree of feelings. Thanks to the alliteration of the sonorous sounds "r", "l", "n", the most beautiful melody of the sounding verse is created.

Poetry A.A. Feta is the poetry of hints, guesses, omissions. He has in common with the best classics of Russian literature that the central themes of his work were eternal themes: love, nature, art. Today we feel that Fet's poems are eternal, like the “timid breath” of love.

Literature:

Gasparov M.L. About Russian poetry. - SPb., 2001.
Maymin E.A. Afanasy Afanasyevich Fet. - M .: Education, 1989.
Sukhova N.P. Lyrics of Afanasy Fet. - M., 2000.

Work description

Afanasy Afanasyevich Fet (1820-1892) is one of the greatest poets of the Pure Art school. Far ahead of his time, Fet did not immediately find his way to the hearts of readers. Only a few connoisseurs of art were able to notice and feel the peculiarity of his poetic talent during the poet's life. The poet had the talent to "catch the elusive", to give an image and a name to what before him was nothing more than a vague fleeting sensation of the human soul, a sensation without faith and name.

The poem "Whisper, timid breathing ...", the analysis of which we will conduct, was written in the first period of Fet's work (1840-1850s). In total, three stages can be distinguished, and the perception of nature in the poems created in each of them shows differences in attitude.

In the early works of the author, the expression of feelings is imbued with joy from the feeling of being one with the world. Spiritual enthusiasm, the desire to achieve harmony illuminate with the highest meaning not only his existence, but earthly existence as a whole. The lyrical hero considers the main thing to be the perception of life in the light of the aesthetic ideal, since beauty is the ideal essence of the world. The merit of the artist is seen by him in the search for it in nature, art, and a woman's appearance. In the second period (1870s), the image of the lyrical hero in Fet's poetry changes. The life-affirming dominant in his moods disappears, he is acutely experiencing the gap between the ideal and reality. A harmonious outlook returns in the 80s, in the beauty and diversity of the world there are grounds for not getting tired of listening to the "Quiet lapping of worldly waves" ("Hard in the silence of the night ...", 1892).

In the analyzed poem "Whisper, timid breathing ..." the love experiences of the lyric hero are expressed due to the parallelism with the landscape. The natural and the human are equally beautiful, looking into one, one can understand the shades of the other, ineffable in words. The interpenetration of these principles makes it possible to describe the situation and sensations in a simple enumeration of signs, mixing the sounds of whispers and nightingale trills, the spectacle of a sweet face and a silvery stream. Up to the final phrase of this miniature, each line ends with a comma, which allows you to perceive the poem as a single statement. At the same time, it is divided into three stanzas (quatrains of a chorea of different feet, three four-legged, the last three-legged).

In the first, the contours of the experience are barely outlined: in the landscape and the psychological state of the lyric hero there is no certainty what the epithets convey: timid, sleepy, but it is beautiful ("silver"), changeable ("wobble"), whisper):

Whisper, timid breath,

Nightingale trills,

Silver and wobble

Sleepy brook ...

The mention of nightingale singing brings a poetic tint to the picture, but at the same time concretizes it. Slightly noticeable strokes create the image of the first, timid, causing contradictory sensations of a date, taking place on the bank of a stream on a spring night. In the second quatrain, the dominant in the experience is revealed. Subdued tones are used to outline it, but "magical changes" can occur in it. While there are “shadows without end” in it, night sadness, expectation of a distant dawn:

Night light, night shadows

Shadows without end

A series of magical changes

Nice face.

Ascending intonation plays an important role in anticipating the finale. The enumeration of details, signs creates in the mind of the reader the idea that the voice of the lyric hero is acquiring sonority. In the landscape and in the world of human feelings, evolution is taking place, which, in addition to sound, helps to understand the color and emotional details: the whisper, trills of a nightingale - an exclamation; silvery water, "shadows without end", "smoky clouds" - "purple rose, / Amber glint"; "Timid breathing" - "And kissing, and tears":

In the smoky clouds, purple roses,

Reflection of amber,

And kissing and tears

And dawn, dawn!

The dawn, which illuminated the world of shadows, becomes an affirmation of the eternal rebirth of nature and a metaphor for the triumph of love. The "a" sounding in this word is the tonic of the whole poem - on such an assonance the rhymes of all three stanzas are built: in the first, both feminine and masculine (breath - waving, nightingale - streams), in the second and third - masculine (end - faces, amber - dawn). Roll call with other assonances (in the first line "o" - a whisper, timid, silver, sleepy; in the second "e" - light, shadows, shadows again, magical changes), as well as with combinations of vowels with semi-vowels (timid oh dyhan th, kolykhan th, ruch ya- the first quatrain; night Oh, night th, changed ui- the second; joint in the third - "kiss and I and") And alliterations based on sonorants (in the first stanza - t R e l and with l ovia, behold R eb R oh and to l yhan th with nn Wow R uchya; in the second - n och n Oh, n och n oh those n and, those n and without ko n tsa, in l sheb n from m e n e n ui m and l Wow l itza; in the third - dy mn oh, joint pu R poo R R ozs, otb l esk i n that R I am, l look around I am, with l ezy, for R I am for R i), gives the poetic text musicality. The miniature turns into a hymn to the beauty of earthly life.

The jubilant mood of the finale is created by the breakout motive sun rays through the clouds. Their image is reduced with the help of a diminutive form ("In the smoky clouds, purple roses ..."), and nothing darkens the light, the dawn floods the whole world - both nature and the inner life of a lyrical hero, experiencing delight, experiencing a feeling of happiness.

Parallelism with the landscape makes it possible to show the dynamics of states, limited to their "reflections". This testifies to the subtlety of the soul, a careful attitude to feelings (in the poem there is only one explicit, open assessment: in front of the lyric hero "a sweet face"). In addition, the confluence of the psychological and natural planes, which give one, cohesive reflection, makes it possible to outline the world in its unity and integrity. He arouses admiration in the lyric hero, seems to him sweet, magical, beautiful. This concludes the analysis of the poem "Whisper, timid breathing ..." by Fet.

Feta is called the master of the poetic syllable. He gives preference to themes of love and nature. Among Fet's lyrics, the poems are especially distinguished, dictated by the memory of his true first and last love - Maria Lazic, with whom, in his own words, his birth as a poet is connected.

But his love lyrics lack the individualized image of the beloved girl. And this conveys the joyful state of first falling in love, when an elated person feels unity with the entire universe, in the center of which is the idolized She.

Her image merges with the trills of a nightingale, is reflected in the silvery smooth surface of the water, in the earliest dawn. For example, we see this in the poem "Whisper, timid breathing" ... For the first time, after reading the poem, I was surprised that there were no verbs in it. Probably, it is this feature that gives the work the imagery of details that convey subjective sensations and impressions. We see the happy moments of the date: the agonizing anticipation followed by the sweet moment of the meeting. We hear a whisper, a timid breath, which suggests that lovers are overwhelmed with feelings, that they are agitated. With every minute the moment of parting approaches, but this does not overshadow their happiness, because they are glad that they can be together at least a little.

The night has already fully entered into its own rights, it gives the surrounding nature languor, mystery, and the further, the more everything intrigues us. The world around us is changing, but even the slightest fluctuation in nature manifests itself in a magical way in the state of the heroes' souls.

Night light, night shadows
Shadows without end
A series of magical changes
Nice face.

In the poem, the awakening nature and the awakened soul are harmoniously merged, interpenetrating into each other. For example, "silver and the waving of a sleepy stream" echoes lines such as "a series of magical changes in a cute face." Real chiaroscuro coexists with mental movements, tremors of the heart, the flow of thoughts.

But the night is not eternal, which means that the dawn must "come". And then, when the sky begins to turn pink and shine with the rays of the morning sun, everything changes: the world and the actions of the heroes. The pace of what is happening is growing and developing: first there were whispers and timid breathing, night, then kissing, tears and dawn, there were disturbing night shadows, then the light of a triumphant morning.

Fet's poems are characterized, in the words of the researcher B. Eikhenbaum, "abundant lyrical repetitions", which give the greatest precision and clarity to everything that happens.

Night light, night shadows
Shadows without end.

In order to increase the aesthetic impact on the reader, to emphasize the magnificence of the language, the author uses pictorial and expressive means. Tropes such as epithets ("magical changes") are used to show how beautiful nature is at this heart-stirring moment - dating; metaphors ("silver of a sleepy stream", "smoky clouds") to show the magic, the unusualness of some life moments.

The poem uses both non-union and multi-union. At the beginning we see that the action takes on a more dynamic, fast pace, but then suddenly everything slows down, becomes smoother.

And kissing and tears
And dawn, dawn!

Multi-Union conveys the state of mind of heroes who want to postpone parting.

The poem is written in a two-syllable verse, or rather a chorea, which usually gives the work a rhythmic expressiveness.

Whisper, soft breath,
Nightingale trails' ...

Here, due to the strong lengthening of the verse, the movement acquires smoothness, melodiousness, and melodiousness. The rhyme is cross, which gives the poem additional melody and expressiveness.

W: Whisper, timid breath,
M: Trills of the nightingale ',
W: Silver and ripple
M: sleepy brook '.

I really liked the poem, but some of Fet's contemporaries criticized it from the first to the last line, believing that it emanated from debauchery.

They reworked it in their own way, and this is what Shchedrin remarked on this score: "If this most magnificent poem is presented to you in several versions, then it will be no wonder that, finally, its very charm will become somewhat doubtful for you." Personally, I believe that each person should judge everything in his own way, since I understand that you cannot build on your opinions from others, you must always decide everything yourself.

The poem was written by A. Fet in 1850 and is one of the central ones in all of his work. From the moment of its publication, the work immediately received a number of ambiguous evaluations. Critics praised the poem's innovativeness and amazing lyricism. At the same time, Fet was accused of non-objectivity and excessive intimacy.

The poem is written in the genre of love lyrics. In this area, Fet most clearly revealed himself as a poet.

The main theme of the poem is love and unity with nature. In just a few lines, Fet masterfully conveys a loving atmosphere. Like an artist, the poet, with several bright but confident strokes, paints a wonderful picture of sensory relationships inextricably linked with the sound and visual sensations of natural phenomena.

In terms of composition, the poem alternates between descriptions of the human and the natural, which gives the impression of an organic connection. It becomes impossible to separate “whisper” from “trills”, “gleam of amber” from “kissing”.

The meter of the poem combines a four- and three-foot trochee, a cross rhyme.

The highlight of the work is that there is not a single verb in it. Nouns prevail, which makes the poem extremely unusual. Lack of movement does not make it static. Dynamics is achieved by a skillful combination expressive means... The epithets are not bright, but they are used appropriately, each "in its place" ("timid", "sleepy", "night"). The metaphors are amazing in their beauty: "silver of the brook" and "purple roses".

The smoothness and lyricism of the poem is emphasized by the flow of words in the second stanza: "night-night-shadows-shadows." Emotionality is enhanced in the ending due to the repeated repetition of the conjunction "and". The exclamation and at the same time the ellipsis at the end create a feeling of solemnity and incompleteness. The reader understands that happiness has no boundaries.

In general, the poem is one of the samples of love lyrics with a minimum size.

Option 2

Afanasy Fet is rightfully considered one of the romantics of the Russian land, since he described feelings, only a few managed to repeat. And although the author himself did not consider himself to be in this direction in literature, all his works are written in the spirit of typical romanticism. Landscape lyrics are the basis in the work of Fet, while they are often intertwined with love lyrics. At the same time, the author believes that a person is a real son of his native nature, and his love for the world around him is much stronger than for a woman.

This poem was written in 1850, it became a vivid example of the fact that the author is able to accurately weave an attitude towards a woman with reverence for nature, which he considers his mother. The poem begins with lines that describe the early morning. This is the period of time when the night is replaced by daylight hours, and does not last long. A few minutes of transition become an opportunity for him to enjoy the moment.

Changing the time of day is also an opportunity to enjoy the changes in the face, which seems to the lyrical hero sweet and sublime. And while the sun has not fully risen, the man tries to enjoy the pleasures of love, which leaves tears on his faces from admiration, and the tears themselves reflect the colors of the dawn, which illuminate the whole face and make it even more beautiful and desirable.

There are no verbs in the poem itself, the author seems to leave all actions behind the scenes, allowing the reader to understand what is happening himself. The rhythm of the verse is measured and unhurried, showing that the young people are enjoying a moment in each other's company.

Despite this, after the release of the work, the author was accused of lack of specifics in the poem. The narrative phrases are short, and the reader has to think out what is happening himself. Later it was recognized as a classic of Russian literature. The author's narrative becomes his individual feature, each reader can finish the existing picture himself, literally visit the place of events, become a participant in what is happening himself. After that, authors will appear who will imitate his style of writing, try to adopt the existing style, but will never reach its level.

Fet Whisper-Shy Breathing Poem Analysis

In the poetry of A.A. The feta theme of nature is almost always interconnected with the theme of love, and this poem is no exception. A feature of the poet's love lyrics is the absence of a specific image of the lyrical heroine, which is inherent in specific traits... His lyrics convey the feeling of first falling in love, a state of joy and happiness, wondering at the world and discovering it anew for oneself, when a person feels harmony and unity with the outside world. And She becomes the center of the universe for the lyric hero.

The poem depicts a date of lovers: waiting, meeting. We hear the trills of a nightingale, whispers and timid breathing of lovers, excited by the meeting. The world around them seems to freeze, empathizing with their meeting and, as if afraid, frighten off the charm of the moment.

In the second stanza, we see that the night is coming, which changes the world around us:

Night light, night shadows
Shadows without end ...

The lyrical repetitions used by the poet help to create an accurate, vivid, three-dimensional picture of what is happening. However, for the lyric hero, it is not the change in the external world that is important, he notices only Her. He sees how the night shadows change the illumination of his beloved's face and it seems magical to him.
But dawn comes, lovers see in the sky "a reflection of amber", "purple rose", and realize that the moment of parting will soon come for them.

The heroes feel sadness from the upcoming parting, confusion of feelings and see the beauty of the world around them. Here the author uses polyunion, this helps to increase the tempo of the poem in order to brighter and more accurately show the state of mind of the heroes. A.A. Fet masterfully conveyed this in the following lines:

And kissing and tears
And dawn, dawn! ..

Reading this poem, you do not immediately understand that it was written without a single verb. This style of writing was not chosen by chance, it helps the poet to depict the interweaving of 2 worlds: nature and the emotional experiences of the heroes. In addition, it contributes to the creation of more vivid tangible images. To create which A.A. Fet uses such pictorial and expressive means as metaphors: "purple roses", "silver of a sleepy stream", epithets "sweet face".

The poem was written by a chorea, this two-note meter is different in that it gives the work a rhythm and expressiveness. This is facilitated by the cross rhyming of the lines of the poem.

Analysis 4

Poem by A.A. Feta "Whispers, timid breathing ..." published in 1850. It is dedicated to the tragically lost first beloved of the poet - Maria Lazic.

The poem is unusual in its structure, syntax, sound design. It contains only one nominative sentences. Except for two prepositions and four conjunctions, the dictionary of this poem consists of 30 words: 23 nouns and 7 adjectives. Twelve short lines, and how much has been said about nature, the meeting of two people who sympathize with each other. Not a single verb, and nature is depicted in constant change depending on the time of day, and the relationships of the characters also change.

"Timid breathing" says that those present are still ashamed of each other, excited by the meeting. The following lines - sketches of nature give an idea of where and when the whispering speakers met. Their meeting takes place away from people, in solitude, in the evening. This is confirmed by the trills of the nightingale. But his singing can be heard during the day, however, the expression "waving a sleepy brook" clarifies: not asleep, but sleepy. So in the evening.

In the second stanza, we learn more fully about those who speak in whispers. The night comes into its own. The reflection of moonlight ("night light") falls on objects. "Shadows without end" suggest that a small breeze reigns in the air, which sways the branches of trees, and they give rise to shadows. Meeting in private, talking about intimate things affect the expression of their faces. And the woman's face seems magically sweet.

In the poem, Fet's "hints" are quite substantive: whispers, timid breathing, kissing, tears. The final line is connected with all the cheerful aspiration of the poem. The word "dawn" in a figurative sense means - the birth of something joyful, significant. And in the life of the heroes of the poem something important has come.

The novelty of the poem is that it contains a minimum of words and a maximum of poetic information. The word sometimes carries a great semantic load. For example, the word "silver" refers to the color of the water in the stream. The sun's rays reflected in the water give it a silvery hue. Dynamism is achieved by a quick change of pictures of nature. Summer evening gives way to night, then dawn with its dazzling bright colors... The relationships of the heroes also change: from shyness to hugs.

The poem was written with a four-foot and two-foot chorea. Used cross rhyme, male and female rhymes. The author uses such pictorial and expressive means as metaphors and epithets: "silver of a sleepy stream", "shadows without end", "reflection of amber", "sweet face", "smoky clouds", "magical changes".

This poem by A. Fet inspires, awakens the desire to create, live and love.

Analysis of the poem Whisper, timid breathing according to plan

Visors and awnings. External and internal stairs. Components